#A30800Gory Red (#A30800) is a dark, saturated red with an OKLCH hue of 30°, lightness 0.45 and chroma 0.182. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #A30800 |
|---|---|
| RGB | rgb(163, 8, 0) |
| HSL | hsl(3, 100%, 32%) |
| HSV | hsv(3, 100%, 64%) |
| CMYK | cmyk(0%, 95%, 100%, 36%) |
| CIE Lab | lab(33.9 56.2 47.9) |
| OKLCH | oklch(0.452 0.182 30) |
Under warm 2700K interior light Gory Red is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.6), so it is a lighting-stable choice.
#a30000 — ΔE 0.4, is virtually unchanged#a60400 — ΔE 0.6, is virtually unchanged#a30800 — ΔE 0.0, is virtually unchanged#a40901 — ΔE 0.2, is virtually unchangedTest Gory Red in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 8.1:1 and against black 2.59:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#f28574 · #d05747 · #a30800 · #780100 · #420000 · #140000
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ae6300 · #a74400 · #a30800 · #85002b · #670036 · #4a0037
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#cea861 · #b88600 · #8d6c2c · #a30800 · #740100 · #490000
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00dcf6 · #c88075 · #926962 · #a30800 · #621e16 · #360f0a
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#dff7fb · #c4a6a1 · #627376 · #a30800 · #523530 · #000304
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e6f5f8 · #bdcdd0 · #8ea2a5 · #102b2f · #00080b · #a30800
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d8f9ff · #00c4db · #007e8d · #a30800 · #004650 · #080000
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#cad7b4 · #81b1db · #578e8b · #a30800 · #3a473d · #180c03
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#d9fddf · #62c87b · #4862d7 · #a30800 · #212f8d · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#edf8cf · #a3bb45 · #007e8d · #a30800 · #4c1e81 · #000305
#B93F30 · #CD6354 · #E18576 · #F4A699 · #FFCAC1
#8A0300 · #710100 · #590000 · #430000 · #2D0000
#952B20 · #863C31 · #764740
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.