#B70272Botticelli (#B70272) is a mid-tone, vivid pink with an OKLCH hue of 352°, lightness 0.51 and chroma 0.211. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #B70272 |
|---|---|
| RGB | rgb(183, 2, 114) |
| HSL | hsl(323, 98%, 36%) |
| HSV | hsv(323, 99%, 72%) |
| CMYK | cmyk(0%, 99%, 38%, 28%) |
| CIE Lab | lab(40.1 67.8 -10.7) |
| OKLCH | oklch(0.512 0.211 352) |
Under warm 2700K interior light Botticelli shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.1), so it is a lighting-stable choice.
#b7006b — ΔE 1.1, shifts subtly: leans toward red#ba0070 — ΔE 0.7, shifts subtly: leans toward red#b70272 — ΔE 0.0, is virtually unchanged#b80274 — ΔE 0.4, is virtually unchangedTest Botticelli in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 6.43:1 and against black 3.27:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ff94c4 · #e45c9f · #b70272 · #8c0056 · #560033 · #260013
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#db5956 · #cd3662 · #b70272 · #92077d · #6d0a7e · #4a0878
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ffaa84 · #ff7123 · #b86e4d · #b70272 · #890054 · #5d0037
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e4b9 · #a5778a · #b70272 · #74284e · #500b31 · #280015
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#dff9f0 · #967783 · #b70272 · #41524c · #311422 · #000201
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e8f5f1 · #bdcdc7 · #8ea19a · #0f2821 · #000503 · #b70272
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ccffee · #009779 · #b70272 · #005c49 · #00271d · #0e0004
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#ccffee · #359931 · #b70272 · #00595f · #002900 · #000203
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f2f7c6 · #838800 · #b70272 · #005575 · #002334 · #030300
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fff0d5 · #a57800 · #b70272 · #005c49 · #00155a · #000201
#CA4087 · #DB649D · #EB85B3 · #FBA5CA · #FFCBE0
#99005F · #7C004C · #61003A · #460028 · #2E0018
#A93170 · #99456D · #89546B
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.