#B00149Raspberry (#B00149) is a dark, saturated pink with an OKLCH hue of 8°, lightness 0.49 and chroma 0.194. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #B00149 |
|---|---|
| RGB | rgb(176, 1, 73) |
| HSL | hsl(335, 99%, 35%) |
| HSV | hsv(335, 99%, 69%) |
| CMYK | cmyk(0%, 99%, 59%, 31%) |
| CIE Lab | lab(37.4 62.9 11.2) |
| OKLCH | oklch(0.485 0.194 8) |
Under warm 2700K interior light Raspberry shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.7), so it is a lighting-stable choice.
#b00044 — ΔE 0.7, shifts subtly: leans toward orange#b30047 — ΔE 0.7, is virtually unchanged#b00149 — ΔE 0.0, is virtually unchanged#b1024a — ΔE 0.3, is virtually unchangedAgainst white it measures 7.13:1 and against black 2.95:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ff89a0 · #dd5978 · #b00149 · #850035 · #4e001b · #1e0005
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ca5c32 · #c0393a · #b00149 · #8f0058 · #6d005d · #4d005b
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#eba971 · #df7e00 · #a66d3c · #b00149 · #810033 · #55001f
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e1d6 · #d48694 · #9e7178 · #b00149 · #6d2336 · #40141f
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#def8f5 · #cbaaae · #6b7d7b · #b00149 · #5c3c41 · #000202
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f4 · #bccdcb · #8ea19f · #0e2927 · #000706 · #b00149
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#c6fff9 · #00cec4 · #008b84 · #b00149 · #00524e · #160003
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d2d3f7 · #76c1a7 · #5d97a8 · #b00149 · #3a4b71 · #20061b
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e6fad1 · #96c651 · #007dd0 · #b00149 · #00497d · #010500
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fcf3c7 · #cdb315 · #008b84 · #b00149 · #38329b · #000202
#C43E62 · #D7637C · #E98497 · #F9A5B3 · #FFCBD3
#94003C · #78002F · #5E0023 · #450017 · #2E000C
#A22D4E · #924052 · #814E57
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.