#B8BF71Zoodles (#B8BF71) is a light, soft yellow-green with an OKLCH hue of 113°, lightness 0.78 and chroma 0.101. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #B8BF71 |
|---|---|
| RGB | rgb(184, 191, 113) |
| HSL | hsl(65, 38%, 60%) |
| HSV | hsv(65, 41%, 75%) |
| CMYK | cmyk(4%, 0%, 41%, 25%) |
| CIE Lab | lab(75.2 -14.3 38.5) |
| OKLCH | oklch(0.781 0.101 113) |
Under warm 2700K interior light Zoodles shifts subtly: drifts toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.5), so it is a lighting-stable choice.
#bfba67 — ΔE 1.5, shifts subtly: drifts toward yellow#bec06d — ΔE 1.0, shifts subtly: drifts toward yellow#b8bf71 — ΔE 0.0, is virtually unchanged#b8c073 — ΔE 0.3, is virtually unchangedTest Zoodles in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.96:1 and against black 10.73:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#f2f9b6 · #b8bf71 · #a2a95f · #7d823f · #5a5e21 · #393c00
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#beedbf · #b9d798 · #b8bf71 · #b6a55e · #ae8d52 · #a2774c
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#b8bf71 · #7ca391 · #7b8041 · #00704f · #434706 · #043222
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#dbdec7 · #b8bf71 · #959a72 · #6e5fa0 · #383b1b · #1d1f0a
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f2f0fb · #b8bf71 · #9b9d8f · #5e5d64 · #26281a · #010103
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f2f0fc · #c9c7d4 · #9c99a9 · #231f31 · #04020e · #b8bf71
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#acdddb · #b8bf71 · #bb55d2 · #557650 · #2a3861 · #1e0511
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f2f0ff · #b8bf71 · #819ccf · #79497f · #0e2350 · #040005
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e3f5ff · #b8bf71 · #66a5c6 · #894363 · #440f2a · #00060f
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#dbf8fb · #b8bf71 · #58abb2 · #615292 · #480f11 · #02000a
#C2C885 · #CCD298 · #D6DBAA · #E0E5BD · #EAEECF
#969C56 · #767B3C · #575B23 · #3A3D08 · #1F2100
#B8BE82 · #B8BC92 · #B7BBA0
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.