#B6BD4ASinsemilla (#B6BD4A) is a light, saturated yellow-green with an OKLCH hue of 112°, lightness 0.77 and chroma 0.138. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #B6BD4A |
|---|---|
| RGB | rgb(182, 189, 74) |
| HSL | hsl(64, 47%, 52%) |
| HSV | hsv(64, 61%, 74%) |
| CMYK | cmyk(4%, 0%, 61%, 26%) |
| CIE Lab | lab(74.1 -17.6 55.6) |
| OKLCH | oklch(0.771 0.138 112) |
Under warm 2700K interior light Sinsemilla shifts subtly: drifts toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.5), so it is a lighting-stable choice.
#bdb840 — ΔE 1.5, shifts subtly: drifts toward yellow#bcbd46 — ΔE 0.8, shifts subtly: drifts toward yellow#b6bd4a — ΔE 0.0, is virtually unchanged#b6be4c — ΔE 0.3, is virtually unchangedTest Sinsemilla in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.03:1 and against black 10.37:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#f3fa9e · #cbd269 · #b6bd4a · #7e8316 · #5b5e00 · #393b00
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#afeeae · #b0d77f · #b6bd4a · #b9a134 · #b4872c · #a96e30
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#b6bd4a · #6ca38a · #797e1a · #006c4c · #414400 · #002f1f
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#d7dbbc · #b6bd4a · #939760 · #6e58b2 · #363905 · #1b1d00
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f2f0fe · #b6bd4a · #989a87 · #5c5a64 · #262714 · #010004
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f2f0fc · #c9c7d4 · #9c9aa9 · #231f31 · #04020e · #b6bd4a
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#afe0e0 · #b6bd4a · #ce2dd8 · #537650 · #2a3760 · #20060f
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#b6d6f0 · #b6bd4a · #93a0bf · #954c97 · #303654 · #140e05
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e3f5ff · #b6bd4a · #45a4d1 · #933363 · #4a002b · #00060f
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#d3fbfe · #b6bd4a · #20acb6 · #6049a1 · #4e0009 · #030011
#C0C766 · #CAD17F · #D5DB97 · #DFE5AE · #EAEFC5
#959B30 · #757A13 · #575A00 · #3A3C00 · #1F2100
#B5BC67 · #B5BA7F · #B4B894
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.