#94D2BFWintermint (#94D2BF) is a light, muted blue-green with an OKLCH hue of 173°, lightness 0.82 and chroma 0.069. It sits on the cool side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #94D2BF |
|---|---|
| RGB | rgb(148, 210, 191) |
| HSL | hsl(162, 41%, 70%) |
| HSV | hsv(162, 30%, 82%) |
| CMYK | cmyk(30%, 0%, 9%, 18%) |
| CIE Lab | lab(79.7 -23.8 3.1) |
| OKLCH | oklch(0.816 0.069 173) |
Under warm 2700K interior light Wintermint shifts subtly: drifts toward green; in north-facing or shaded light it shifts subtly: leans toward sky blue. Overall drift across common illuminants is small (max ΔE ≈ 2.1), so it is a lighting-stable choice.
#a1cdb2 — ΔE 2.1, shifts subtly: drifts toward green#9dd3bb — ΔE 1.2, shifts subtly: leans toward green#94d2bf — ΔE 0.0, is virtually unchanged#93d3c2 — ΔE 0.4, shifts subtly: leans toward sky blueTest Wintermint in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.72:1 and against black 12.23:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#cbffee · #94d2bf · #77b09f · #55897a · #366356 · #174036
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#bdf6fd · #a3e5df · #94d2bf · #8bbe9f · #87a883 · #82926b
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#94d2bf · #8ba9b5 · #5b9282 · #307189 · #235749 · #183642
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#d8ece5 · #94d2bf · #b57e94 · #47675d · #2c4840 · #182a24
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#94d2bf · #aca4a7 · #6c7773 · #4a4446 · #131f1b · #020101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e1f8f0 · #94d2bf · #85a49a · #002a20 · #000503 · #e5519a
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#e1f8f0 · #94d2bf · #85a49a · #002a20 · #000503 · #f1ba4d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dbe1bc · #94d2bf · #c9655b · #547650 · #4b3147 · #1b0c04
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#94d2bf · #b3a1a7 · #866989 · #683432 · #2a102d · #050000
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#94d2bf · #a7a4b4 · #766e95 · #65391b · #311200 · #010006
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#94d2bf · #9fa7b5 · #627498 · #643449 · #271900 · #040001
#A3D9C8 · #B1DFD0 · #BFE6D9 · #CDECE2 · #DBF3EB
#75AC9C · #578879 · #3A6659 · #1E453B · #04271E
#9FCFC0 · #AACCC1 · #B3C8C1
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.