#8EDACCBambino (#8EDACC) is a very light, soft blue-green with an OKLCH hue of 181°, lightness 0.83 and chroma 0.078. It sits on the cool side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #8EDACC |
|---|---|
| RGB | rgb(142, 218, 204) |
| HSL | hsl(169, 51%, 71%) |
| HSV | hsv(169, 35%, 85%) |
| CMYK | cmyk(35%, 0%, 6%, 15%) |
| CIE Lab | lab(82 -26.6 -0.6) |
| OKLCH | oklch(0.835 0.078 181) |
Under warm 2700K interior light Bambino shifts subtly: leans toward green; in north-facing or shaded light it shifts subtly: leans toward sky blue. Overall drift across common illuminants is small (max ΔE ≈ 2.2), so it is a lighting-stable choice.
#9cd5be — ΔE 2.2, shifts subtly: leans toward green#97dbc8 — ΔE 1.1, shifts subtly: leans toward green#8edacc — ΔE 0.0, is virtually unchanged#8ddbcf — ΔE 0.4, shifts subtly: leans toward sky blueTest Bambino in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.61:1 and against black 13.05:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#c9fff4 · #8edacc · #6cb1a5 · #4b8a7f · #2c645b · #0a413a
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#d5f7ff · #a5ebec · #8edacc · #89c5ab · #86af8d · #829973
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#8edacc · #92aebe · #5a988d · #397593 · #225c53 · #1e3a49
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ddf2ee · #8edacc · #b67a8b · #496d66 · #2e4d48 · #1a2f2b
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#8edacc · #b3aaac · #6f7c79 · #4d4648 · #13201e · #020101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#faeef1 · #d2c5c8 · #a6979b · #2d1d21 · #0a0103 · #8edacc
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e6e7c1 · #8edacc · #d161b9 · #5f7b54 · #403458 · #160623
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#8edacc · #baa6ab · #8f6b89 · #6c372d · #2e0f2b · #050000
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#8edacc · #afa9b9 · #7f7098 · #663d15 · #301600 · #020006
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#8edacc · #a7acbc · #6b779e · #6a3545 · #261c00 · #050001
#9EDFD3 · #ADE5DA · #BBEAE1 · #CAF0E8 · #D8F5EF
#6EB3A7 · #508D83 · #336A60 · #154840 · #002822
#9DD7CB · #AAD3CB · #B6CFCA
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.