#663366Wineberry (#663366) is a dark, soft magenta with an OKLCH hue of 327°, lightness 0.41 and chroma 0.102. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #663366 |
|---|---|
| RGB | rgb(102, 51, 102) |
| HSL | hsl(300, 33%, 30%) |
| HSV | hsv(300, 50%, 40%) |
| CMYK | cmyk(0%, 50%, 0%, 60%) |
| CIE Lab | lab(29.8 31 -20.2) |
| OKLCH | oklch(0.408 0.102 327) |
Under warm 2700K interior light Wineberry shifts subtly: leans toward pink; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#68315f — ΔE 1.2, shifts subtly: leans toward pink#683364 — ΔE 0.5, shifts subtly: leans toward pink#663366 — ΔE 0.0, is virtually unchanged#663367 — ΔE 0.2, is virtually unchangedTest Wineberry in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 9.42:1 and against black 2.23:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#b58ab4 · #916390 · #663366 · #4a1c4b · #270028 · #060007
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#6f6294 · #6b4a7f · #663366 · #5a2246 · #4b1329 · #390510
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#c29393 · #b8686a · #805a5a · #663366 · #461d46 · #2a052a
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#97d79e · #9a7e99 · #726272 · #663366 · #3c223c · #1c0d1b
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ecf5ec · #afa3ae · #5e645f · #663366 · #392e39 · #000100
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ebf5ec · #c1ccc2 · #93a094 · #172719 · #000500 · #663366
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e5f8e6 · #85b68a · #35723f · #663366 · #073d15 · #040005
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#c8f9f5 · #cdd783 · #749487 · #4e6050 · #663366 · #22060e
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fbf1db · #bda46a · #00707b · #663366 · #003a41 · #0a0400
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffeee3 · #cf9b74 · #35723f · #663366 · #003751 · #000200
#7F507E · #986E97 · #B18DB0 · #CBADCA · #E6CDE5
#572957 · #481F48 · #39153A · #2C0C2C · #1E041F
#613960 · #5B3E5A · #554354
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.