#673E6EMajesty (#673E6E) is a dark, soft magenta with an OKLCH hue of 322°, lightness 0.43 and chroma 0.091. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #673E6E |
|---|---|
| RGB | rgb(103, 62, 110) |
| HSL | hsl(291, 28%, 34%) |
| HSV | hsv(291, 44%, 43%) |
| CMYK | cmyk(6%, 44%, 0%, 57%) |
| CIE Lab | lab(32.8 26.6 -20.6) |
| OKLCH | oklch(0.432 0.091 322) |
Under warm 2700K interior light Majesty shifts subtly: leans toward pink; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#693c67 — ΔE 1.2, shifts subtly: leans toward pink#6a3e6c — ΔE 0.7, shifts subtly: leans toward pink#673e6e — ΔE 0.0, is virtually unchanged#673e70 — ΔE 0.3, is virtually unchangedTest Majesty in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 8.43:1 and against black 2.49:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#b694bc · #926d99 · #673e6e · #4c2752 · #29082f · #09000d
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#716b99 · #6c5586 · #673e6e · #5c2d50 · #4d1d34 · #3d101a
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#c69c9f · #ba7279 · #856264 · #673e6e · #48274d · #2c0f31
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#a3d39c · #9d87a1 · #776a79 · #673e6e · #3f2a43 · #1f1421
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#edf4ec · #b1a7b2 · #666b66 · #673e6e · #3e353f · #000100
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ecf4eb · #c3ccc1 · #959f93 · #1a2618 · #000500 · #673e6e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#aededc · #a6b771 · #bf76ad · #52684d · #673e6e · #1c050f
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f1f1ca · #8ee5ca · #8d9377 · #586b56 · #673e6e · #0c0824
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fbf0de · #c2a776 · #00787f · #673e6e · #004145 · #0d0500
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffeee4 · #d19f81 · #4a7744 · #673e6e · #003e56 · #000200
#7F5A85 · #97769D · #B093B5 · #C9B1CD · #E3D0E6
#57325D · #48274D · #391C3E · #2A112F · #1D0720
#624368 · #5E4762 · #594A5B
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.