#B47463Vin Cuit (#B47463) is a mid-tone, soft red with an OKLCH hue of 36°, lightness 0.62 and chroma 0.085. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #B47463 |
|---|---|
| RGB | rgb(180, 116, 99) |
| HSL | hsl(13, 35%, 55%) |
| HSV | hsv(13, 45%, 71%) |
| CMYK | cmyk(0%, 36%, 45%, 29%) |
| CIE Lab | lab(55.2 23.2 19.8) |
| OKLCH | oklch(0.622 0.085 36) |
Under warm 2700K interior light Vin Cuit shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#b7705b — ΔE 1.2, shifts subtly: leans toward orange#b87460 — ΔE 0.8, shifts subtly: leans toward orange#b47463 — ΔE 0.0, is virtually unchanged#b47565 — ΔE 0.3, is virtually unchangedTest Vin Cuit in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.74:1 and against black 5.62:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffd3c8 · #e1a797 · #b47463 · #955a4b · #6c392c · #451b10
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#c8a47e · #bf8c6e · #b47463 · #9e6262 · #87525f · #6e445a
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#b1a487 · #b47463 · #8e5a4c · #614a02 · #50251a · #241900
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffeae4 · #80d2e7 · #b47463 · #75625d · #5f3f37 · #392722
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e9f4f7 · #ac9f9b · #b47463 · #676e70 · #362926 · #000102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e8f4f8 · #becdd1 · #91a1a5 · #142a2f · #00080c · #b47463
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e0f7fd · #6fadbd · #b47463 · #1e798c · #00333e · #060000
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e0f7fd · #6fb0a8 · #b47463 · #3f719b · #003531 · #000614
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e5f7eb · #80af90 · #b47463 · #5f689e · #232851 · #000601
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#edf5e3 · #98aa7c · #b47463 · #1e798c · #362249 · #000305
#C28879 · #D09C8E · #DDB1A5 · #EAC6BC · #F8DBD3
#975E4F · #7B483B · #5F3428 · #452017 · #2D0E06
#AB796B · #A27D73 · #98817A
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.