#B67267Morocco (#B67267) is a mid-tone, soft red with an OKLCH hue of 30°, lightness 0.62 and chroma 0.088. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #B67267 |
|---|---|
| RGB | rgb(182, 114, 103) |
| HSL | hsl(8, 35%, 56%) |
| HSV | hsv(8, 43%, 71%) |
| CMYK | cmyk(0%, 37%, 43%, 29%) |
| CIE Lab | lab(55 25.6 17.4) |
| OKLCH | oklch(0.622 0.088 30) |
Under warm 2700K interior light Morocco shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#b96e5f — ΔE 1.2, shifts subtly: leans toward orange#ba7264 — ΔE 0.8, shifts subtly: leans toward orange#b67267 — ΔE 0.0, is virtually unchanged#b67369 — ΔE 0.3, is virtually unchangedTest Morocco in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.76:1 and against black 5.59:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffd3cb · #e3a59a · #b67267 · #96584f · #6d3830 · #461913
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#cca27f · #c28a70 · #b67267 · #9f6067 · #875164 · #6d435e
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#b3a386 · #b67267 · #905950 · #654800 · #52231d · #261800
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffeae6 · #7bd4e4 · #b67267 · #75615e · #603e39 · #3a2623
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e9f4f6 · #ad9e9c · #b67267 · #666e6f · #372927 · #000102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f7 · #becdd0 · #90a1a5 · #132a2e · #00080b · #b67267
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#def7fc · #6bafba · #b67267 · #107a88 · #00343b · #060000
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d6dbb6 · #7dcab8 · #b67267 · #597484 · #364334 · #190c03
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e6f7e9 · #83af8b · #b67267 · #5869a0 · #1e2952 · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#eff5e1 · #9ca977 · #b67267 · #107a88 · #33234c · #000305
#C4867C · #D19B91 · #DFB0A7 · #ECC5BE · #F9DAD4
#995C52 · #7C473E · #61322B · #461F19 · #2E0D09
#AD776E · #A37C75 · #99807B
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.