Submerged #4A7D82

Submerged (#4A7D82) is a mid-tone, muted blue-green with an OKLCH hue of 204°, lightness 0.56 and chroma 0.055. It sits on the cool side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.

Color values

HEX#4A7D82
RGBrgb(74, 125, 130)
HSLhsl(185, 27%, 40%)
HSVhsv(185, 43%, 51%)
CMYKcmyk(43%, 4%, 0%, 49%)
CIE Lablab(49.2 -15.7 -8.1)
OKLCHoklch(0.556 0.055 204)

How Submerged behaves under real light

Under warm 2700K interior light Submerged shifts subtly: leans toward green; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.6), so it is a lighting-stable choice.

Test Submerged in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.

Contrast & accessibility

Against white it measures 4.62:1 and against black 4.55:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.

Colors that go with Submerged

Tonal

One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.

#abd2d5 · #7fabb0 · #4a7d82 · #326266 · #123f43 · #001f22

Analogous

The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.

#72a393 · #52928c · #4a7d82 · #2d6b7d · #2b5770 · #29435f

Shifted

The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.

#90b2df · #8292a8 · #4a7d82 · #226167 · #01454a · #152437

Contrast

One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.

#c6dfe1 · #98bec2 · #85989a · #4a7d82 · #784340 · #1d3d40

Quiet Support

The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.

#f9efee · #849192 · #4a7d82 · #5e5857 · #1a2729 · #020101

Bright Accent

This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.

#e3f6f8 · #b7ced0 · #4a7d82 · #00292d · #000607 · #e34f50

Gold Accent

The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.

#e3f6f8 · #b7ced0 · #4a7d82 · #00292d · #000607 · #eebc4d

Complementary

The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.

#ffedeb · #b0807c · #4a7d82 · #7f4845 · #3e1615 · #000203

Split-complementary

The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.

#ffedeb · #ac7f91 · #4a7d82 · #7a4d2f · #3b1627 · #110300

Triadic

Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.

#faedfb · #a082a3 · #4a7d82 · #6e5623 · #322200 · #030004

Tetradic

Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.

#f2efff · #8f87b0 · #4a7d82 · #7f4845 · #252800 · #050000

Tints, shades & muted variants

Tints

#649195 · #7EA5A8 · #99B9BC · #B3CED0 · #CEE3E5

Shades

#39686C · #295357 · #1A3F43 · #0A2C2F · #001B1D

Muted

#547B7F · #5E797C · #667779

Using Submerged

Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.

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