#327A88Panorama (#327A88) is a mid-tone, soft sky blue with an OKLCH hue of 212°, lightness 0.54 and chroma 0.074. It sits on the cool side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #327A88 |
|---|---|
| RGB | rgb(50, 122, 136) |
| HSL | hsl(190, 46%, 36%) |
| HSV | hsv(190, 63%, 53%) |
| CMYK | cmyk(63%, 10%, 0%, 47%) |
| CIE Lab | lab(47.5 -17.8 -14.3) |
| OKLCH | oklch(0.540 0.074 212) |
Under warm 2700K interior light Panorama shifts subtly: leans toward blue-green; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.6), so it is a lighting-stable choice.
#40777f — ΔE 1.6, shifts subtly: leans toward blue-green#3a7b85 — ΔE 0.9, shifts subtly: leans toward blue-green#327a88 — ΔE 0.0, is virtually unchanged#317b8a — ΔE 0.4, is virtually unchangedTest Panorama in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 4.91:1 and against black 4.27:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#9bced9 · #6da8b5 · #327a88 · #175f6c · #003b45 · #001a20
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#699e94 · #4c8d8e · #327a88 · #2d657d · #2d516e · #2b3d5c
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#93abdb · #818ca4 · #327a88 · #1f5c67 · #00404a · #151f33
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#c2d9de · #94b9c1 · #809397 · #327a88 · #733f35 · #1a383e
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f9efed · #7f8c8e · #327a88 · #5a5452 · #192528 · #020101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#faefed · #d3c7c4 · #a89a97 · #31221e · #0e0302 · #327a88
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#cfd6b1 · #f0852e · #688dba · #327a88 · #714853 · #051411
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#ffede9 · #a97a86 · #327a88 · #734b26 · #3b1320 · #110400
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fcedf9 · #a07c99 · #327a88 · #64541e · #2c2200 · #030003
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f4efff · #9081a8 · #327a88 · #79453a · #1e2700 · #050000
#528E9B · #70A3AE · #8DB8C1 · #ABCDD5 · #C8E3E9
#236572 · #13515D · #023E48 · #002B33 · #001A1F
#447883 · #52767D · #5D7378
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.