#00BB88Slime Girl (#00BB88) is a light, saturated blue-green with an OKLCH hue of 165°, lightness 0.7 and chroma 0.147. It sits on the cool side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #00BB88 |
|---|---|
| RGB | rgb(0, 187, 136) |
| HSL | hsl(164, 100%, 37%) |
| HSV | hsv(164, 100%, 73%) |
| CMYK | cmyk(100%, 0%, 27%, 27%) |
| CIE Lab | lab(67.5 -52 14.8) |
| OKLCH | oklch(0.702 0.147 165) |
Under warm 2700K interior light Slime Girl shifts subtly: drifts toward green; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.8), so it is a lighting-stable choice.
#3bb77e — ΔE 1.8, shifts subtly: drifts toward green#28bc85 — ΔE 1.0, shifts subtly: drifts toward green#00bb88 — ΔE 0.0, is virtually unchanged#00bc8a — ΔE 0.3, is virtually unchangedTest Slime Girl in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.48:1 and against black 8.46:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ceffe8 · #6be4b4 · #00bb88 · #00936a · #006a4b · #00432e
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#56dcde · #25ccb7 · #00bb88 · #46a35d · #5c8a36 · #65710f
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#86cbdd · #00bb88 · #06986e · #007085 · #00563d · #003540
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#b2f7d8 · #a8cbba · #00bb88 · #b95591 · #306b54 · #234939
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#fdedf5 · #00bb88 · #748a7f · #564c51 · #0e261c · #030001
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#faeef4 · #d3c4cb · #a7969f · #2e1c26 · #0a0005 · #00bb88
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d7dbb5 · #00bb88 · #69956a · #c6243e · #3f2a40 · #1f0b03
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f5cac1 · #00bb88 · #a87e81 · #8d4ea5 · #2d3451 · #051213
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f0f0ff · #00bb88 · #7d78c7 · #833300 · #3b1100 · #020010
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e9f3ff · #00bb88 · #5086c9 · #832261 · #2f1c00 · #070003
#4AC698 · #6ED2A9 · #8CDDBA · #A8E8CB · #C3F3DD
#009A6F · #007957 · #005B40 · #003E2A · #002316
#4BB68D · #69B092 · #80AA97
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.