#26B467Green Mana (#26B467) is a mid-tone, saturated green with an OKLCH hue of 154°, lightness 0.68 and chroma 0.162. It sits on the cool side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #26B467 |
|---|---|
| RGB | rgb(38, 180, 103) |
| HSL | hsl(147, 65%, 43%) |
| HSV | hsv(147, 79%, 71%) |
| CMYK | cmyk(79%, 0%, 43%, 29%) |
| CIE Lab | lab(65 -53.9 29.1) |
| OKLCH | oklch(0.680 0.162 154) |
Under warm 2700K interior light Green Mana shifts subtly: leans toward yellow-green; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.6), so it is a lighting-stable choice.
#44b05e — ΔE 1.6, shifts subtly: leans toward yellow-green#38b564 — ΔE 0.9, shifts subtly: leans toward yellow-green#26b467 — ΔE 0.0, is virtually unchanged#22b569 — ΔE 0.3, is virtually unchangedTest Green Mana in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.69:1 and against black 7.81:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#d2ffde · #7ae49e · #26b467 · #009550 · #006b38 · #004421
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#3fd8c9 · #17c79c · #26b467 · #569a38 · #688000 · #6c6600
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#75c7d0 · #26b467 · #1d9152 · #006a74 · #005128 · #002f34
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#b0f0c3 · #a3c4ac · #26b467 · #ad4c9f · #2f6542 · #21432c
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#fcecf8 · #26b467 · #6f8374 · #52484f · #0e2416 · #030002
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f9eef6 · #d1c4ce · #a597a2 · #2c1c29 · #090107 · #26b467
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ffebfa · #26b467 · #aa5d9d · #7a196f · #390033 · #000601
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#b8d8f2 · #d1a2aa · #26b467 · #874a9f · #374366 · #071311
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#edf1ff · #26b467 · #6576c9 · #8b1900 · #3f0400 · #010011
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e7f4ff · #26b467 · #2484c4 · #7a196f · #311700 · #060005
#53C17C · #73CD91 · #8FDAA6 · #ABE6BC · #C5F2D1
#009550 · #00763E · #00582D · #003C1C · #00220D
#50AF73 · #69A97D · #7DA388
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.