#60BFD3Skydive (#60BFD3) is a light, soft sky blue with an OKLCH hue of 213°, lightness 0.75 and chroma 0.094. It sits on the cool side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #60BFD3 |
|---|---|
| RGB | rgb(96, 191, 211) |
| HSL | hsl(190, 57%, 60%) |
| HSV | hsv(190, 55%, 83%) |
| CMYK | cmyk(55%, 9%, 0%, 17%) |
| CIE Lab | lab(72.5 -22.5 -18.6) |
| OKLCH | oklch(0.754 0.094 213) |
Under warm 2700K interior light Skydive shifts subtly: leans toward blue-green, loses intensity; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.2), so it is a lighting-stable choice.
#72bbc6 — ΔE 2.2, shifts subtly: leans toward blue-green, loses intensity#6ac0cf — ΔE 1.1, shifts subtly: leans toward blue-green#60bfd3 — ΔE 0.0, is virtually unchanged#5fc0d6 — ΔE 0.4, is virtually unchangedTest Skydive in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.12:1 and against black 9.89:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#daf8ff · #83d9eb · #60bfd3 · #338a9b · #0a6473 · #00404b
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#9fe6d8 · #7dd3d5 · #60bfd3 · #5fa7c8 · #6090b8 · #6079a4
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#60bfd3 · #8391ae · #2f7f8f · #3d548b · #00444f · #16223b
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#bed8de · #60bfd3 · #c07868 · #48757f · #2d555e · #1c363b
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#faefec · #60bfd3 · #87979a · #5e5755 · #17272b · #040101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#fceeeb · #d5c6c2 · #ab9995 · #34201c · #100201 · #60bfd3
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ffede9 · #60bfd3 · #bd8376 · #854335 · #431107 · #000305
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#ffede9 · #60bfd3 · #bb808f · #7d4c16 · #420f20 · #180700
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#feebfa · #60bfd3 · #b082a7 · #6b5702 · #2e2300 · #040003
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f5eeff · #60bfd3 · #9d89ba · #854335 · #1e2900 · #060000
#78C9DB · #8FD3E2 · #A4DDE9 · #B9E7F1 · #CEF0F8
#469DAF · #2C7C8C · #0F5D6B · #003F4A · #00232A
#76BCCC · #88B9C4 · #98B5BC
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.