#8ABBD0Juvie (#8ABBD0) is a light, muted sky blue with an OKLCH hue of 226°, lightness 0.76 and chroma 0.06. It sits on the cool side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #8ABBD0 |
|---|---|
| RGB | rgb(138, 187, 208) |
| HSL | hsl(198, 43%, 68%) |
| HSV | hsv(198, 34%, 82%) |
| CMYK | cmyk(34%, 10%, 0%, 18%) |
| CIE Lab | lab(73.2 -11 -15.7) |
| OKLCH | oklch(0.765 0.060 226) |
Under warm 2700K interior light Juvie shifts subtly: leans toward blue-green, loses intensity; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.1), so it is a lighting-stable choice.
#95b7c3 — ΔE 2.1, shifts subtly: leans toward blue-green, loses intensity#92bccc — ΔE 1.1, shifts subtly: leans toward blue-green#8abbd0 — ΔE 0.0, is virtually unchanged#89bcd3 — ΔE 0.4, is virtually unchangedTest Juvie in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.08:1 and against black 10.1:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#e1f6ff · #a3d1e5 · #8abbd0 · #5a8495 · #3a5f6f · #1b3d4a
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ace6e4 · #92d2de · #8abbd0 · #79a6c8 · #768fb5 · #71799f
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#8abbd0 · #8e92ab · #4b7e93 · #505583 · #134557 · #212339
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#c7d9e1 · #8abbd0 · #b78269 · #567583 · #3b5661 · #26373e
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f8f0ec · #8abbd0 · #8d999e · #5f5957 · #1c272c · #030100
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e3f5fe · #8abbd0 · #2c4b58 · #0a2e3c · #000b13 · #f07c3e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ffeee6 · #8abbd0 · #b78c78 · #7d4d35 · #3d1906 · #00050b
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#ffeee6 · #8abbd0 · #b9888a · #735526 · #3f161a · #0f0500
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#feecf5 · #8abbd0 · #b3889e · #605d27 · #292700 · #040002
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f8edfc · #8abbd0 · #a68cb0 · #7d4d35 · #162c09 · #0f0200
#9AC5D8 · #AACFDF · #BAD9E7 · #CAE3EF · #DAEEF6
#6D99AC · #527989 · #385A68 · #1F3D49 · #07222C
#93B9CA · #9CB8C4 · #A5B6BD
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.