#6F63A0Scampi (#6F63A0) is a mid-tone, soft purple with an OKLCH hue of 292°, lightness 0.54 and chroma 0.094. It sits on the cool side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #6F63A0 |
|---|---|
| RGB | rgb(111, 99, 160) |
| HSL | hsl(252, 24%, 51%) |
| HSV | hsv(252, 38%, 63%) |
| CMYK | cmyk(31%, 38%, 0%, 37%) |
| CIE Lab | lab(45.4 19 -31.4) |
| OKLCH | oklch(0.537 0.094 292) |
Under warm 2700K interior light Scampi shifts subtly: leans toward magenta; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.7), so it is a lighting-stable choice.
#746196 — ΔE 1.7, shifts subtly: leans toward magenta#73649d — ΔE 0.9, shifts subtly: leans toward magenta#6f63a0 — ΔE 0.0, is virtually unchanged#6f63a2 — ΔE 0.3, is virtually unchangedTest Scampi in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 5.29:1 and against black 3.97:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#c3bbee · #9d93cb · #6f63a0 · #554a81 · #352959 · #170b34
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#7792bf · #717bb1 · #6f63a0 · #6a4f83 · #623c65 · #552c48
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d592b9 · #a18092 · #6f63a0 · #53497a · #382f5b · #2f1325
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#c5cb82 · #8e8b9f · #6f63a0 · #4f4a69 · #322e48 · #181525
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f2f3e9 · #888693 · #6f63a0 · #54554f · #22212d · #010100
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f2f3e7 · #c9cabd · #9c9d8e · #232411 · #040400 · #6f63a0
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f4efc8 · #ade19f · #9a6aaf · #6f63a0 · #545b45 · #020e2c
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f2f4df · #9f8452 · #6f63a0 · #33612e · #2f1f00 · #000200
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffeee4 · #ad7b5d · #6f63a0 · #00644f · #002a20 · #1b0500
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffedec · #b27674 · #6f63a0 · #56590a · #00292c · #020200
#847AB1 · #9991C2 · #AFA9D3 · #C6C1E4 · #DDD9F5
#5C5187 · #493F70 · #372E59 · #271E42 · #170F2D
#6E6696 · #6E688B · #6E6A80
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.