#563C0DPineapple (#563C0D) is a dark, soft orange with an OKLCH hue of 78°, lightness 0.38 and chroma 0.07. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #563C0D |
|---|---|
| RGB | rgb(86, 60, 13) |
| HSL | hsl(39, 74%, 19%) |
| HSV | hsv(39, 85%, 34%) |
| CMYK | cmyk(0%, 30%, 85%, 66%) |
| CIE Lab | lab(27.4 6.6 31.6) |
| OKLCH | oklch(0.377 0.070 78) |
Under warm 2700K interior light Pineapple shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.6), so it is a lighting-stable choice.
#583a09 — ΔE 0.6, shifts subtly: leans toward red#583c0b — ΔE 0.4, is virtually unchanged#563c0d — ΔE 0.0, is virtually unchanged#563c0e — ΔE 0.1, is virtually unchangedTest Pineapple in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 10.25:1 and against black 2.05:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#c0ac8f · #9c8664 · #79613b · #563c0d · #331f00 · #100600
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#64653d · #5e5123 · #563c0d · #4c2a05 · #3f1a08 · #300d09
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#aebca0 · #ac936d · #6b8252 · #56614b · #563c0d · #382300
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#cdc1b1 · #6583ae · #675e51 · #563c0d · #31230c · #150a00
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#edf2f9 · #a8a298 · #575a5f · #563c0d · #302921 · #000102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#edf2fa · #c3c9d2 · #969ca6 · #1b232e · #01030b · #563c0d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#eaf3ff · #8ba4c8 · #3f5b84 · #563c0d · #152a4a · #100600
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#eaf3ff · #7babc0 · #575382 · #563c0d · #003040 · #010007
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e1f7f7 · #75afb0 · #6b4c75 · #563c0d · #371f3f · #000202
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e4f7ef · #7eaf9b · #3f5b84 · #563c0d · #411c30 · #000007
#705832 · #8B7555 · #A69377 · #C2B29B · #DFD3C0
#493206 · #3D2801 · #311E00 · #251500 · #190D00
#523E1D · #4E3F28 · #494032
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.