#633F2EGrilled (#633F2E) is a dark, muted orange with an OKLCH hue of 46°, lightness 0.41 and chroma 0.058. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #633F2E |
|---|---|
| RGB | rgb(99, 63, 46) |
| HSL | hsl(19, 37%, 28%) |
| HSV | hsv(19, 54%, 39%) |
| CMYK | cmyk(0%, 36%, 54%, 61%) |
| CIE Lab | lab(30.4 13.6 16.9) |
| OKLCH | oklch(0.405 0.058 46) |
Under warm 2700K interior light Grilled is virtually unchanged; in north-facing or shaded light it shifts subtly: drifts toward red. Overall drift across common illuminants is small (max ΔE ≈ 0.7), so it is a lighting-stable choice.
#653d2a — ΔE 0.7, is virtually unchanged#653f2d — ΔE 0.4, is virtually unchanged#633f2e — ΔE 0.0, is virtually unchanged#633f2f — ΔE 0.1, shifts subtly: drifts toward redTest Grilled in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 9.21:1 and against black 2.28:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#d2b5a8 · #ad8e7f · #8a6858 · #633f2e · #442415 · #210800
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#7d6643 · #745131 · #633f2e · #582a23 · #441b20 · #300e1c
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#a7a184 · #8e824c · #6a654d · #633f2e · #492411 · #2c0c00
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#81c1dc · #9c8175 · #73645d · #633f2e · #3e261b · #1c0f09
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ebf3f7 · #b0a49f · #5d6365 · #633f2e · #3a2f2a · #000102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ffeee6 · #dcc9c0 · #b6a096 · #633f2e · #260d02 · #f07b3d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e3f5fe · #7eafc4 · #2a6a82 · #633f2e · #003749 · #0c0100
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e3f5fe · #79b3b3 · #45638c · #633f2e · #003a3b · #000007
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e5f7ee · #83b39e · #5e5b8b · #633f2e · #2f2c50 · #000301
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ebf6e7 · #96b08b · #2a6a82 · #633f2e · #3e2747 · #00050b
#7C5A4B · #957769 · #AF9488 · #C9B3A8 · #E4D2CA
#543424 · #46291B · #381F12 · #2A150A · #1D0B04
#5E4134 · #59443A · #534640
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.