#FFC7B9Peach Fuzz (#FFC7B9) is a very light, muted red with an OKLCH hue of 34°, lightness 0.88 and chroma 0.067. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #FFC7B9 |
|---|---|
| RGB | rgb(255, 199, 185) |
| HSL | hsl(12, 100%, 86%) |
| HSV | hsv(12, 27%, 100%) |
| CMYK | cmyk(0%, 22%, 27%, 0%) |
| CIE Lab | lab(84.8 18 14.7) |
| OKLCH | oklch(0.876 0.067 34) |
Under warm 2700K interior light Peach Fuzz shifts subtly: leans toward orange; in north-facing or shaded light it shifts subtly: leans toward pink. Overall drift across common illuminants is small (max ΔE ≈ 1.8), so it is a lighting-stable choice.
#ffc1ac — ΔE 1.8, shifts subtly: leans toward orange#ffc7b5 — ΔE 0.5, shifts subtly: leans toward orange#ffc7b9 — ΔE 0.0, is virtually unchanged#ffc8bc — ΔE 0.4, shifts subtly: leans toward pinkTest Peach Fuzz in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.49:1 and against black 14.12:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffede9 · #ffc7b9 · #c59589 · #9b7166 · #734f46 · #4d2f27
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffc7b9 · #eeb1b1 · #d69eac · #bc8da5 · #a17e9d · #866f91
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ffc7b9 · #c1b59b · #bb897d · #8d7643 · #7a5046 · #4b4027
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffc7b9 · #79c0d0 · #9e8c88 · #876860 · #644a44 · #41302b
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ffc7b9 · #b2bbbd · #8a7e7c · #494f51 · #271d1a · #000102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ffc7b9 · #b3968f · #5a3a32 · #3c1c14 · #160000 · #ea5c3b
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#ffc7b9 · #b3968f · #5a3a32 · #3c1c14 · #160000 · #d9c64e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ffc7b9 · #aabdc2 · #558b98 · #005867 · #00252c · #050000
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#ffc7b9 · #aabdc2 · #568e86 · #265274 · #002622 · #00040f
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffc7b9 · #afbeb3 · #658c71 · #414a77 · #171c3d · #000601
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffc7b9 · #b6bcac · #7a8860 · #005867 · #261638 · #000407
#FFCEC2 · #FFD6CB · #FFDDD4 · #FFE4DD · #FFEBE6
#D3A194 · #A87C71 · #7F5950 · #583931 · #341B15
#F7CABF · #EECEC5 · #E6D1CC
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.