#FFB07CPeach (#FFB07C) is a very light, soft orange with an OKLCH hue of 54°, lightness 0.82 and chroma 0.115. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #FFB07C |
|---|---|
| RGB | rgb(255, 176, 124) |
| HSL | hsl(24, 100%, 74%) |
| HSV | hsv(24, 51%, 100%) |
| CMYK | cmyk(0%, 31%, 51%, 0%) |
| CIE Lab | lab(78.3 23.3 38.1) |
| OKLCH | oklch(0.822 0.115 54) |
Under warm 2700K interior light Peach shifts only faintly, with no single dominant change; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.5), so it is a lighting-stable choice.
#ffaa72 — ΔE 1.5, shifts only faintly, with no single dominant change#ffb078 — ΔE 0.5, shifts subtly: leans toward yellow#ffb07c — ΔE 0.0, is virtually unchanged#ffb17e — ΔE 0.3, is virtually unchangedAgainst white it measures 1.79:1 and against black 11.75:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffeee4 · #ffb07c · #d68f5f · #aa6b40 · #804922 · #582902
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#fadc9a · #fdc687 · #ffb07c · #ec9a80 · #d58684 · #bb7584
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ffb07c · #aaa87e · #b4764c · #736d00 · #733e15 · #383506
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#fce3d4 · #ffb07c · #4daede · #9f775d · #7b5842 · #543d2e
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ffb07c · #9faab1 · #817269 · #40484c · #271910 · #000103
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e8f4fb · #c0cdd6 · #94a3ac · #1b2f3a · #000d18 · #ffb07c
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dde2bc · #ffb07c · #b2b081 · #1a67d9 · #2d3962 · #0f072a
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d2ecd1 · #ffb07c · #92b1dd · #4d7073 · #333e4c · #151004
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffb07c · #93b0a6 · #2c8771 · #4b377d · #210d44 · #000201
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffb07c · #9cae9b · #538452 · #004d6c · #310435 · #00060f
#FFBC90 · #FFC7A4 · #FFD2B6 · #FFDDC8 · #FFE8D9
#D48E5F · #AB6D43 · #834D28 · #5D300C · #371600
#F4B58D · #E8BA9D · #DBBEAC
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.