#FBAB60Rajah (#FBAB60) is a light, saturated orange with an OKLCH hue of 62°, lightness 0.8 and chroma 0.131. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #FBAB60 |
|---|---|
| RGB | rgb(251, 171, 96) |
| HSL | hsl(29, 95%, 68%) |
| HSV | hsv(29, 62%, 98%) |
| CMYK | cmyk(0%, 32%, 62%, 2%) |
| CIE Lab | lab(76.4 22.2 49.8) |
| OKLCH | oklch(0.804 0.131 62) |
Under warm 2700K interior light Rajah shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.4), so it is a lighting-stable choice.
#ffa557 — ΔE 1.4, shifts subtly: leans toward red#ffab5c — ΔE 0.7, is virtually unchanged#fbab60 — ΔE 0.0, is virtually unchanged#fbac62 — ΔE 0.3, is virtually unchangedTest Rajah in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.89:1 and against black 11.1:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffeee1 · #fbab60 · #d98f49 · #ac6b29 · #824901 · #542d00
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f5df8f · #f9c673 · #fbab60 · #eb9368 · #d67e70 · #bd6d74
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#fbab60 · #9fa576 · #b07133 · #646b00 · #6c3b00 · #2f3200
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f7dec9 · #fbab60 · #46a5e7 · #9b724e · #775434 · #503924
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#fbab60 · #99a5ae · #7d6f62 · #3e454b · #26180b · #000103
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e9f3fc · #c1cdd6 · #94a2ad · #1c2d3a · #000b18 · #fbab60
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dee1bb · #fbab60 · #cc9ea2 · #1e7791 · #2f3b59 · #041110
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#eacdea · #fbab60 · #88b0bb · #5a5abe · #433a55 · #240605
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fbab60 · #88aba5 · #008476 · #522d7d · #260345 · #000201
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fbab60 · #91aa97 · #3b8353 · #004971 · #340030 · #000511
#FEB777 · #FFC38E · #FFCFA6 · #FFDBBD · #FFE7D3
#D18A45 · #A86A2A · #814B0C · #5A3000 · #331800
#EFB078 · #E3B58D · #D6B9A0
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.