#A13905Muddy (#A13905) is a dark, saturated red with an OKLCH hue of 41°, lightness 0.49 and chroma 0.148. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #A13905 |
|---|---|
| RGB | rgb(161, 57, 5) |
| HSL | hsl(20, 94%, 33%) |
| HSV | hsv(20, 97%, 63%) |
| CMYK | cmyk(0%, 65%, 97%, 37%) |
| CIE Lab | lab(38.8 41.2 48.4) |
| OKLCH | oklch(0.488 0.148 41) |
Under warm 2700K interior light Muddy is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.7), so it is a lighting-stable choice.
#a23500 — ΔE 0.7, is virtually unchanged#a43802 — ΔE 0.6, is virtually unchanged#a13905 — ΔE 0.0, is virtually unchanged#a13a06 — ΔE 0.2, is virtually unchangedTest Muddy in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 6.77:1 and against black 3.1:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#f5a183 · #d27654 · #a13905 · #822a00 · #4e1500 · #220300
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ac7624 · #a95904 · #a13905 · #8b2526 · #721631 · #570a35
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ccb97d · #b99700 · #8c7c47 · #a13905 · #772600 · #4e1500
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#0ed2ff · #97776b · #a13905 · #65311d · #421605 · #1e0400
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e3f5fc · #c5aea6 · #707c80 · #a13905 · #584138 · #000305
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f9 · #becdd3 · #90a2a8 · #142c33 · #00090f · #a13905
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dff7ff · #49c5e8 · #0087a5 · #a13905 · #005063 · #220300
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#c5d9b8 · #8cb1dc · #679796 · #a13905 · #414e5b · #140d05
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#d9fce8 · #67cb9b · #6c6cce · #a13905 · #3d3a88 · #000401
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e8f8da · #9ac371 · #0087a5 · #a13905 · #5c2e78 · #000408
#B55835 · #C87658 · #DB9379 · #EDB19B · #FECEBD
#882D00 · #6F2200 · #561800 · #3F0F00 · #2A0600
#954526 · #884E39 · #7A5648
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.