#7EFFBAMint Bliss (#7EFFBA) is a very light, saturated green with an OKLCH hue of 158°, lightness 0.91 and chroma 0.151. It sits on the cool side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #7EFFBA |
|---|---|
| RGB | rgb(126, 255, 186) |
| HSL | hsl(148, 100%, 75%) |
| HSV | hsv(148, 51%, 100%) |
| CMYK | cmyk(51%, 0%, 27%, 0%) |
| CIE Lab | lab(91.5 -51.1 22.2) |
| OKLCH | oklch(0.908 0.151 158) |
Under warm 2700K interior light Mint Bliss shifts subtly: leans toward yellow-green; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.2), so it is a lighting-stable choice.
#94f9ad — ΔE 2.2, shifts subtly: leans toward yellow-green#8bffb5 — ΔE 1.1, shifts subtly: leans toward yellow-green#7effba — ΔE 0.0, is virtually unchanged#7cffbd — ΔE 0.4, is virtually unchangedTest Mint Bliss in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.24:1 and against black 16.9:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#7effba · #6ae5a5 · #49bb81 · #269260 · #006b41 · #004427
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#7effba · #94e58c · #a4ca63 · #adae40 · #ae9327 · #a9791c
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#7effba · #85cedb · #4eb982 · #0093a5 · #00794a · #00545f
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#7effba · #a6c7b2 · #d270b8 · #2b6848 · #0e482d · #042917
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#7effba · #cdbfc8 · #7a8f82 · #594f55 · #11271b · #030002
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f9eef5 · #d2c4cd · #a697a1 · #2d1c28 · #0a0107 · #7effba
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#7effba · #c1d1af · #ee2e76 · #51714c · #412e48 · #1e0702
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#7effba · #e5bfd4 · #9f95b9 · #994661 · #293450 · #041210
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#7effba · #bcc1e1 · #7880d1 · #902900 · #410c00 · #010011
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#7effba · #adc7e0 · #468ece · #83266f · #331b00 · #070004
#92FFC2 · #A4FFCB · #B4FFD3 · #C3FFDA · #D1FFE2
#5BD294 · #39A670 · #0F7C4E · #005331 · #002D18
#99F9C3 · #B0F3CB · #C3ECD3
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.