#B6FFBBLight Mint (#B6FFBB) is a near-white, soft green with an OKLCH hue of 146°, lightness 0.93 and chroma 0.116. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #B6FFBB |
|---|---|
| RGB | rgb(182, 255, 187) |
| HSL | hsl(124, 100%, 86%) |
| HSV | hsv(124, 29%, 100%) |
| CMYK | cmyk(29%, 0%, 27%, 0%) |
| CIE Lab | lab(93.9 -35.4 25.5) |
| OKLCH | oklch(0.935 0.116 146) |
Under warm 2700K interior light Light Mint shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.1), so it is a lighting-stable choice.
#c4f9ad — ΔE 2.1, shifts subtly: leans toward yellow#c0ffb6 — ΔE 1.1, shifts subtly: leans toward yellow#b6ffbb — ΔE 0.0, is virtually unchanged#b5ffbe — ΔE 0.4, is virtually unchangedTest Light Mint in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.17:1 and against black 18.01:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#b6ffbb · #9add9e · #77b37c · #568c5b · #37663b · #18421e
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#b6ffbb · #bde596 · #c1cb78 · #c0b062 · #ba9754 · #b07f4c
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#b6ffbb · #7db5b7 · #619b66 · #007d80 · #2a5e30 · #003f41
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#b6ffbb · #b8ccb9 · #c080c1 · #496c4c · #2e4c31 · #1a2d1b
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#b6ffbb · #d2c9d2 · #869387 · #5a545a · #1a271b · #020002
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f8eef8 · #d0c5cf · #a497a3 · #2b1d2b · #080109 · #b6ffbb
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#b6ffbb · #d9c5d8 · #ad7bad · #763c78 · #3a0a3c · #000200
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#b6ffbb · #d9c5d8 · #9483c1 · #863558 · #29134c · #0d0003
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#b6ffbb · #c1cce4 · #748dc8 · #8b3732 · #480306 · #00000e
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#b6ffbb · #b7d0e0 · #5297c0 · #763c78 · #3a1900 · #040005
#BFFFC3 · #C7FECA · #D0FED2 · #D8FDDA · #E0FCE1
#90D194 · #6BA56F · #487A4C · #26532B · #052E0D
#C2FBC5 · #CDF6CF · #D8F2D9
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.