#11DD66Limonana (#11DD66) is a light, vivid green with an OKLCH hue of 150°, lightness 0.79 and chroma 0.216. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #11DD66 |
|---|---|
| RGB | rgb(17, 221, 102) |
| HSL | hsl(145, 86%, 47%) |
| HSV | hsv(145, 92%, 87%) |
| CMYK | cmyk(92%, 0%, 54%, 13%) |
| CIE Lab | lab(77.7 -69.5 45.6) |
| OKLCH | oklch(0.785 0.216 150) |
Under warm 2700K interior light Limonana shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#49d85c — ΔE 1.9, shifts subtly: leans toward yellow#35de62 — ΔE 1.0, shifts subtly: leans toward yellow#11dd66 — ΔE 0.0, is virtually unchanged#01de68 — ΔE 0.3, is virtually unchangedTest Limonana in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.82:1 and against black 11.56:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#d4ffda · #11dd66 · #00c257 · #009642 · #006c2d · #00451a
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#4affe6 · #00efb0 · #11dd66 · #6fbf17 · #8d9f00 · #928300
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#11dd66 · #29adb6 · #009541 · #006d73 · #005321 · #003134
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#bfe9c6 · #11dd66 · #db59d5 · #3a894e · #1e6734 · #174423
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#feebfc · #11dd66 · #8ba58f · #675a65 · #122e19 · #030003
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f8eef7 · #d0c5cf · #a497a3 · #2b1c2a · #090108 · #11dd66
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d0d5b0 · #11dd66 · #ed2e70 · #5e7550 · #473452 · #220803
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e9c6dd · #11dd66 · #9074cc · #925b6d · #2f3a5a · #06110f
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#edf2ff · #11dd66 · #7695ff · #b40100 · #510000 · #010012
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e5f4ff · #11dd66 · #00a7f4 · #9b0997 · #3e1d00 · #060006
#52E47C · #75EA91 · #91F0A5 · #ABF6B9 · #C3FCCC
#00B551 · #008F3E · #006A2C · #00471B · #00280B
#5AD67B · #7CCF8D · #96C89E
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.