#11CC55Battletoad (#11CC55) is a light, vivid green with an OKLCH hue of 148°, lightness 0.74 and chroma 0.21. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #11CC55 |
|---|---|
| RGB | rgb(17, 204, 85) |
| HSL | hsl(142, 85%, 43%) |
| HSV | hsv(142, 92%, 80%) |
| CMYK | cmyk(92%, 0%, 58%, 20%) |
| CIE Lab | lab(72.2 -66.5 46.9) |
| OKLCH | oklch(0.738 0.210 148) |
Under warm 2700K interior light Battletoad shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.8), so it is a lighting-stable choice.
#43c74b — ΔE 1.8, shifts subtly: leans toward yellow#31cd51 — ΔE 1.0, shifts subtly: leans toward yellow#11cc55 — ΔE 0.0, is virtually unchanged#04cd57 — ΔE 0.3, is virtually unchangedTest Battletoad in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.14:1 and against black 9.79:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#d4ffd9 · #5fea7e · #11cc55 · #00963b · #006c28 · #004516
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#00f1d4 · #00de9f · #11cc55 · #69ae00 · #828f00 · #847500
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#11cc55 · #159ea5 · #008533 · #005e62 · #004416 · #002527
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#d2ffd7 · #b2d9b6 · #11cc55 · #c84dc7 · #387944 · #2b5533
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#fdebfc · #11cc55 · #7e9680 · #5d525c · #102a15 · #030003
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f8eef7 · #d0c5cf · #a497a3 · #2b1c2a · #080108 · #11cc55
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d1d7b2 · #11cc55 · #809c6d · #d32997 · #382e4e · #230608
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e1cef0 · #11cc55 · #948bbc · #b25484 · #3c334b · #0d1004
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ecf2ff · #11cc55 · #6386f4 · #a50007 · #4a0001 · #010012
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e5f4ff · #11cc55 · #0099db · #8d008e · #391900 · #060007
#4FD56E · #72DE86 · #8FE79D · #A9F0B3 · #C3F9C9
#00A843 · #008433 · #006324 · #004315 · #002508
#53C66B · #72BF7E · #8AB88F
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.