#115511Jungle Jam (#115511) is a dark, soft green with an OKLCH hue of 143°, lightness 0.39 and chroma 0.119. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #115511 |
|---|---|
| RGB | rgb(17, 85, 17) |
| HSL | hsl(120, 67%, 20%) |
| HSV | hsv(120, 80%, 33%) |
| CMYK | cmyk(80%, 0%, 80%, 67%) |
| CIE Lab | lab(31 -35 31.8) |
| OKLCH | oklch(0.394 0.119 143) |
Under warm 2700K interior light Jungle Jam shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.9), so it is a lighting-stable choice.
#1e530c — ΔE 0.9, shifts subtly: leans toward yellow#19550f — ΔE 0.5, shifts subtly: leans toward yellow#115511 — ΔE 0.0, is virtually unchanged#105512 — ΔE 0.1, is virtually unchangedTest Jungle Jam in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 9.01:1 and against black 2.33:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#79a876 · #4f844c · #115511 · #003d00 · #001a00 · #000200
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#107864 · #006740 · #115511 · #2c4100 · #2e2f00 · #281f00
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#89c9c9 · #79ac75 · #009191 · #336c6c · #115511 · #003800
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#b77abe · #596a57 · #115511 · #133212 · #001600 · #000200
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f8eef8 · #9da99c · #625c63 · #115511 · #263325 · #020002
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f7eef8 · #cfc5d0 · #a397a4 · #2a1d2c · #080109 · #115511
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d7ddb7 · #abc28a · #f22f89 · #654f7e · #115511 · #220703
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#fdebff · #a79adc · #903e65 · #115511 · #32215c · #0b0003
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ebf2ff · #85a5e2 · #963e3e · #115511 · #571115 · #00000f
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e3f5ff · #63b0d7 · #7e4585 · #115511 · #4c2100 · #040006
#396F36 · #5B8A58 · #7DA57A · #A0C19D · #C4DEC2
#084809 · #013B03 · #002E00 · #002200 · #001700
#235221 · #2F4F2D · #384C37
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.