#5A4FCFIris (#5A4FCF) is a mid-tone, saturated blue with an OKLCH hue of 281°, lightness 0.51 and chroma 0.19. It sits on the cool side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #5A4FCF |
|---|---|
| RGB | rgb(90, 79, 207) |
| HSL | hsl(245, 57%, 56%) |
| HSV | hsv(245, 62%, 81%) |
| CMYK | cmyk(57%, 62%, 0%, 19%) |
| CIE Lab | lab(41.6 40.1 -65) |
| OKLCH | oklch(0.514 0.190 281) |
Under warm 2700K interior light Iris shifts subtly: drifts toward purple, loses intensity; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.1), so it is a lighting-stable choice.
#604fc3 — ΔE 2.1, shifts subtly: drifts toward purple, loses intensity#5e50cc — ΔE 0.8, shifts subtly: leans toward magenta#5a4fcf — ΔE 0.0, is virtually unchanged#5a4fd2 — ΔE 0.5, is virtually unchangedAgainst white it measures 6.08:1 and against black 3.45:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#afb4ff · #8685f6 · #5a4fcf · #4334ab · #280a7c · #0e003d
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#338fdf · #4771db · #5a4fcf · #6435aa · #631d82 · #5c045a
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#eba9df · #e66ed4 · #a76e9d · #5a4fcf · #41379f · #2b197a
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#dcc600 · #8184aa · #5a4fcf · #403f7f · #26235a · #0f0c2e
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f5f3df · #7d7f98 · #5a4fcf · #504f42 · #1c1d35 · #020100
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f4f2e7 · #cccabd · #a09e8f · #292713 · #080600 · #5a4fcf
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d4d7b1 · #e39d4b · #8d65af · #5a4fcf · #6d4740 · #180622
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#faf4c8 · #b17200 · #5a4fcf · #365a00 · #2f1a00 · #010600
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffeee7 · #ca5c2f · #5a4fcf · #005d3d · #002717 · #250400
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffedee · #cb536a · #5a4fcf · #594f00 · #002625 · #060400
#6F6CDD · #8687EA · #9EA2F6 · #B8BDFF · #D5D9FF
#4A3EB2 · #3B2E96 · #2C1E7B · #1F0D60 · #120047
#5B58BA · #5D5EA4 · #60628E
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.