#4169E1Royal Blue (#4169E1) is a mid-tone, saturated blue with an OKLCH hue of 266°, lightness 0.56 and chroma 0.188. It sits on the cool side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #4169E1 |
|---|---|
| RGB | rgb(65, 105, 225) |
| HSL | hsl(225, 73%, 57%) |
| HSV | hsv(225, 71%, 88%) |
| CMYK | cmyk(71%, 53%, 0%, 12%) |
| CIE Lab | lab(47.8 26.3 -65.3) |
| OKLCH | oklch(0.560 0.188 266) |
Under warm 2700K interior light Royal Blue shifts subtly: leans toward purple, loses intensity; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.2), so it is a lighting-stable choice.
#4c68d4 — ΔE 2.2, shifts subtly: leans toward purple, loses intensity#486add — ΔE 1.0, is virtually unchanged#4169e1 — ΔE 0.0, is virtually unchanged#4069e4 — ΔE 0.5, is virtually unchangedAgainst white it measures 4.85:1 and against black 4.33:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#b3caff · #799fff · #4169e1 · #2c4ebc · #12298d · #04005f
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#00a5e3 · #1a89e6 · #4169e1 · #594ec1 · #60359d · #5e2077
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#e285fd · #ab80b7 · #4169e1 · #2e4eb0 · #19328a · #380c43
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f4bb00 · #8595b9 · #4169e1 · #3a528e · #213468 · #0e1a3b
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#faf1de · #848fa7 · #4169e1 · #605a4e · #1b243b · #070300
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f6f1e6 · #d0cbbe · #a6a091 · #332b19 · #110900 · #4169e1
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#fff0d1 · #b38800 · #4169e1 · #735600 · #312300 · #010015
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#fff0d1 · #d27318 · #4169e1 · #586200 · #3d1b00 · #010100
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffedeb · #dc655c · #4169e1 · #006f22 · #002f08 · #080000
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffecf2 · #d46391 · #4169e1 · #735600 · #002d24 · #0a0400
#5A81EC · #7499F6 · #8FB0FF · #B0C8FF · #D0DFFF
#3255C1 · #2441A2 · #162E83 · #0A1B66 · #03084A
#4C6ECB · #5772B4 · #62749D
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.