#E1FE52Green Ooze (#E1FE52) is a near-white, saturated yellow-green with an OKLCH hue of 119°, lightness 0.95 and chroma 0.192. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #E1FE52 |
|---|---|
| RGB | rgb(225, 254, 82) |
| HSL | hsl(70, 99%, 66%) |
| HSV | hsv(70, 68%, 100%) |
| CMYK | cmyk(11%, 0%, 68%, 0%) |
| CIE Lab | lab(95 -31 75.2) |
| OKLCH | oklch(0.946 0.192 119) |
Under warm 2700K interior light Green Ooze shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#ebf744 — ΔE 1.9, shifts subtly: leans toward orange#eaff4c — ΔE 1.2, shifts subtly: leans toward orange#e1fe52 — ΔE 0.0, is virtually unchanged#e1ff55 — ΔE 0.3, is virtually unchangedTest Green Ooze in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.14:1 and against black 18.5:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#e1fe52 · #bed834 · #99af00 · #758700 · #546100 · #343d00
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#e1fe52 · #f1dd12 · #f6bd00 · #f49d00 · #ea812c · #d86844
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#e1fe52 · #68c1a4 · #869900 · #008467 · #4f5b00 · #004534
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#e1fe52 · #c5cfa5 · #a0b061 · #824dcf · #424d00 · #272e00
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e1fe52 · #d2ccdf · #8f957b · #595562 · #22270b · #010005
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f3f0fb · #cac6d4 · #9d99a8 · #241f30 · #05010d · #e1fe52
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e1fe52 · #bbdfc8 · #7eaf78 · #a12bea · #2b3963 · #04092f
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e1fe52 · #ecceea · #da76c7 · #69729d · #293755 · #041307
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e1fe52 · #add6f2 · #009ce0 · #a00056 · #480023 · #00050f
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e1fe52 · #a4dbe4 · #00a4b6 · #6930b1 · #4c0000 · #050014
#E3FE70 · #E6FE87 · #E9FD9C · #EBFDAF · #EEFCC1
#B6D02B · #8EA300 · #677700 · #444F00 · #232900
#E3FB80 · #E5F8A2 · #E8F4C0
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.