#F0F00FTriforce (#F0F00F) is a very light, saturated yellow with an OKLCH hue of 110°, lightness 0.92 and chroma 0.2. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #F0F00F |
|---|---|
| RGB | rgb(240, 240, 15) |
| HSL | hsl(60, 88%, 50%) |
| HSV | hsv(60, 94%, 94%) |
| CMYK | cmyk(0%, 0%, 94%, 6%) |
| CIE Lab | lab(92.1 -20.5 89.1) |
| OKLCH | oklch(0.925 0.200 110) |
Under warm 2700K interior light Triforce shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#f8e900 — ΔE 1.9, shifts subtly: leans toward orange#f8f000 — ΔE 1.1, shifts subtly: leans toward orange#f0f00f — ΔE 0.0, is virtually unchanged#f0f116 — ΔE 0.2, is virtually unchangedTest Triforce in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.22:1 and against black 17.18:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#f0f00f · #d2d200 · #a9a900 · #828200 · #5d5d00 · #3b3b00
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f0f00f · #f9cf00 · #faaf00 · #f78f00 · #ea7334 · #d55c4c
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f0f00f · #68ba93 · #8e8e00 · #007e55 · #525200 · #003f28
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f0f00f · #c4c69a · #a4a64f · #6b47d0 · #444400 · #272700
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f0f00f · #c8c6da · #8e8f73 · #545360 · #242405 · #010005
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f1f0fc · #c8c7d5 · #9b9aa9 · #222031 · #04020e · #f0f00f
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f0f00f · #bcdcc1 · #c12ff1 · #507250 · #2a355d · #200616
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f0f00f · #abdbda · #b284d4 · #446488 · #313551 · #041404
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f0f00f · #a1d1e9 · #009aca · #980063 · #44002a · #00050c
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f0f00f · #9bd5d8 · #00a0a6 · #592fb8 · #49000c · #02000f
#F1F251 · #F2F472 · #F3F58D · #F4F7A4 · #F6F8BA
#C3C300 · #999900 · #707000 · #4A4A00 · #272700
#EDEF66 · #EBED91 · #E9EBB3
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.