#FB607FBrink Pink (#FB607F) is a light, saturated pink with an OKLCH hue of 11°, lightness 0.7 and chroma 0.19. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #FB607F |
|---|---|
| RGB | rgb(251, 96, 127) |
| HSL | hsl(348, 95%, 68%) |
| HSV | hsv(348, 62%, 98%) |
| CMYK | cmyk(0%, 62%, 49%, 2%) |
| CIE Lab | lab(62 61.4 14.7) |
| OKLCH | oklch(0.696 0.190 11) |
Under warm 2700K interior light Brink Pink shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#fc5b76 — ΔE 1.2, shifts subtly: leans toward orange#ff5f7c — ΔE 0.8, is virtually unchanged#fb607f — ΔE 0.0, is virtually unchanged#fc6181 — ΔE 0.3, is virtually unchangedTest Brink Pink in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.97:1 and against black 7.08:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffedee · #ffb0ba · #fb607f · #cf4261 · #9f1d41 · #6d0025
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffac89 · #ff897c · #fb607f · #d95490 · #b44c98 · #8f4598
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#e8b07c · #fb607f · #cc4d66 · #8e5100 · #840a31 · #442400
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e0db · #fb607f · #9b6e74 · #8d414d · #672532 · #3d131b
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#dff8f6 · #fb607f · #97797c · #415251 · #32161a · #000202
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f4 · #bccdcc · #8da1a0 · #0d2827 · #000606 · #fb607f
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#c6fffb · #fb607f · #009691 · #005b58 · #002625 · #190003
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d6dab4 · #fb607f · #5a92ac · #4b7c6b · #2d382c · #1c0802
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e4fad3 · #fb607f · #609421 · #004f90 · #002041 · #010700
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f9f4c8 · #fb607f · #938400 · #005b58 · #1d0062 · #000202
#FF7B91 · #FF97A5 · #FFAFB9 · #FFC6CC · #FFDCDF
#D34866 · #AD304D · #881736 · #640021 · #3C0010
#EA7286 · #D8808C · #C48C92
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.