#F08497Xoxo (#F08497) is a light, saturated pink with an OKLCH hue of 10°, lightness 0.74 and chroma 0.133. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #F08497 |
|---|---|
| RGB | rgb(240, 132, 151) |
| HSL | hsl(349, 78%, 73%) |
| HSV | hsv(349, 45%, 94%) |
| CMYK | cmyk(0%, 45%, 37%, 6%) |
| CIE Lab | lab(67.5 43.2 8.4) |
| OKLCH | oklch(0.736 0.133 10) |
Under warm 2700K interior light Xoxo shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.5), so it is a lighting-stable choice.
#f37f8d — ΔE 1.5, shifts subtly: leans toward orange#f58494 — ΔE 1.0, shifts subtly: leans toward orange#f08497 — ΔE 0.0, is virtually unchanged#f18599 — ΔE 0.4, is virtually unchangedTest Xoxo in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.48:1 and against black 8.45:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffedef · #ffb0bc · #f08497 · #b85b6c · #8c3a4b · #621a2c
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffbfa6 · #ff9e95 · #f08497 · #d1759d · #b0699d · #8f5e98
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f08497 · #a98261 · #a44f5f · #784200 · #61172b · #311700
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffebed · #e5c2c7 · #f08497 · #009d96 · #89585f · #603f44
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e5f6f4 · #f08497 · #9d888a · #4d5857 · #301c1f · #000202
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f4 · #bccdcc · #8ea1a0 · #0e2928 · #000706 · #f08497
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dadbb6 · #f08497 · #279080 · #725777 · #2c3b2a · #1f0903
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d5fbf7 · #f08497 · #4ca277 · #006075 · #002b18 · #000408
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e9f8dc · #f08497 · #799b53 · #005798 · #002445 · #010500
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f8f3d5 · #f08497 · #9e8f3a · #00635f · #1c1557 · #000202
#F696A5 · #FCA7B4 · #FFB9C3 · #FFCCD3 · #FFDFE3
#C9697A · #A34E5E · #7F3544 · #5C1C2B · #3B0514
#E38D9B · #D5969F · #C69EA3
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.