#E0D1A0Woven (#E0D1A0) is a very light, muted yellow with an OKLCH hue of 93°, lightness 0.86 and chroma 0.066. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #E0D1A0 |
|---|---|
| RGB | rgb(224, 209, 160) |
| HSL | hsl(46, 51%, 75%) |
| HSV | hsv(46, 29%, 88%) |
| CMYK | cmyk(0%, 7%, 29%, 12%) |
| CIE Lab | lab(84 -2.2 26.2) |
| OKLCH | oklch(0.861 0.066 93) |
Under warm 2700K interior light Woven shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.8), so it is a lighting-stable choice.
#e7cb94 — ΔE 1.8, shifts subtly: leans toward orange#e7d29c — ΔE 1.1, shifts subtly: leans toward orange#e0d1a0 — ΔE 0.0, is virtually unchanged#e0d2a3 — ΔE 0.4, is virtually unchangedTest Woven in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.52:1 and against black 13.8:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#fff2c6 · #e0d1a0 · #afa277 · #887c56 · #635937 · #40371a
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#e2e3b7 · #e0d1a0 · #d8b98b · #cba280 · #ba8d79 · #a77972
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#e0d1a0 · #a3b8a3 · #a09265 · #588159 · #64582f · #304330
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#e0d1a0 · #b3ae9f · #958c70 · #4d5886 · #37301a · #1a1608
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e0d1a0 · #b2b4bb · #817e74 · #4a4c50 · #221f15 · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e0d1a0 · #a8a189 · #52492b · #362c0a · #110b00 · #e3c24d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e4f4d1 · #e0d1a0 · #9dc08c · #866b9d · #4055a4 · #140520
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e0d1a0 · #afb4c3 · #5f83a0 · #54416d · #002139 · #020006
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e0d1a0 · #a5b9bd · #528894 · #643c5d · #30112b · #000305
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e0d1a0 · #a6b9b6 · #538a82 · #3e4875 · #360f1c · #010109
#E4D7AC · #E8DDB8 · #EDE3C4 · #F1E9D0 · #F5EFDC
#B8AA7E · #91855E · #6C6240 · #494023 · #292108
#DDD1AB · #DAD1B6 · #D6D1C0
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.