#907E6CWet Taupe (#907E6C) is a mid-tone, muted orange with an OKLCH hue of 67°, lightness 0.6 and chroma 0.034. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #907E6C |
|---|---|
| RGB | rgb(144, 126, 108) |
| HSL | hsl(30, 14%, 49%) |
| HSV | hsv(30, 25%, 56%) |
| CMYK | cmyk(0%, 12%, 25%, 44%) |
| CIE Lab | lab(54 3.9 12.3) |
| OKLCH | oklch(0.605 0.034 67) |
Under warm 2700K interior light Wet Taupe shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.3), so it is a lighting-stable choice.
#947a64 — ΔE 1.3, shifts subtly: leans toward red#947e69 — ΔE 0.7, is virtually unchanged#907e6c — ΔE 0.0, is virtually unchanged#907f6e — ΔE 0.3, is virtually unchangedTest Wet Taupe in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.9:1 and against black 5.39:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#e5d6c7 · #bfae9e · #907e6c · #746453 · #504233 · #2e2316
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#afa77d · #a89064 · #907e6c · #91644a · #7f5246 · #6b4141
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#b9c790 · #9da48a · #907e6c · #7d5d3c · #5f4223 · #2d3219
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f6e6d7 · #d8c1aa · #ada194 · #907e6c · #3d658a · #51402e
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ecf3f9 · #a39b93 · #907e6c · #64686c · #312921 · #010204
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f8f0e9 · #d2c9c1 · #907e6c · #34281d · #120700 · #f3a448
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e7f3ff · #7fa1c1 · #907e6c · #426b90 · #0a2d48 · #120500
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e7f3ff · #71a6b5 · #907e6c · #5c6392 · #00313c · #010007
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e2f7f4 · #71a9a3 · #907e6c · #735c89 · #332143 · #000202
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e6f7ec · #7ea88e · #907e6c · #426b90 · #3e1d36 · #00030d
#A19181 · #B2A496 · #C4B7AB · #D5CBC1 · #E7DFD8
#776757 · #605143 · #493C30 · #33291E · #1F160D
#8D7F71 · #8A8075 · #87807A
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.