#847592Vintage (#847592) is a mid-tone, muted purple with an OKLCH hue of 308°, lightness 0.59 and chroma 0.047. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #847592 |
|---|---|
| RGB | rgb(132, 117, 146) |
| HSL | hsl(271, 12%, 52%) |
| HSV | hsv(271, 20%, 57%) |
| CMYK | cmyk(10%, 20%, 0%, 43%) |
| CIE Lab | lab(51.5 11.6 -13.6) |
| OKLCH | oklch(0.586 0.047 308) |
Under warm 2700K interior light Vintage shifts subtly: drifts toward magenta; in north-facing or shaded light it shifts subtly: leans toward blue. Overall drift across common illuminants is small (max ΔE ≈ 1.5), so it is a lighting-stable choice.
#897289 — ΔE 1.5, shifts subtly: drifts toward magenta#88768f — ΔE 0.9, shifts subtly: leans toward pink#847592 — ΔE 0.0, is virtually unchanged#847694 — ΔE 0.4, shifts subtly: leans toward blueTest Vintage in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 4.25:1 and against black 4.94:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#d9cde5 · #b3a5c0 · #847592 · #695b75 · #463a51 · #261c2f
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#969ec5 · #8f87b4 · #847592 · #7f5d81 · #724b65 · #633c4a
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#e3a6b7 · #af9199 · #847592 · #6a567b · #4d3b5d · #3b2229
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#b6ce9a · #a19aa8 · #847592 · #63576f · #443a4e · #27202d
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f0f3ec · #9a959e · #847592 · #61635e · #2b262f · #010100
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f5effb · #cdc5d4 · #847592 · #271d30 · #06010d · #a9d66d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#edf5e5 · #8c9f77 · #847592 · #556a3b · #1f2e07 · #020005
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#edf5e5 · #a1986d · #847592 · #396f52 · #302800 · #000401
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fcefe2 · #b0916f · #847592 · #21706a · #00302d · #130600
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffede8 · #b98b7c · #847592 · #556a3b · #002e39 · #000100
#9689A3 · #A99DB4 · #BCB2C6 · #D0C7D8 · #E3DDEA
#6D607A · #574B62 · #42384B · #2E2536 · #1B1422
#82778D · #817889 · #7F7A84
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.