#7FB383Verde (#7FB383) is a light, soft green with an OKLCH hue of 146°, lightness 0.72 and chroma 0.088. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #7FB383 |
|---|---|
| RGB | rgb(127, 179, 131) |
| HSL | hsl(125, 25%, 60%) |
| HSV | hsv(125, 29%, 70%) |
| CMYK | cmyk(29%, 0%, 27%, 30%) |
| CIE Lab | lab(68.3 -26.9 19.2) |
| OKLCH | oklch(0.717 0.088 146) |
Under warm 2700K interior light Verde shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.6), so it is a lighting-stable choice.
#89af79 — ΔE 1.6, shifts subtly: leans toward yellow#86b480 — ΔE 1.0, shifts subtly: leans toward yellow#7fb383 — ΔE 0.0, is virtually unchanged#7eb485 — ΔE 0.3, is virtually unchangedTest Verde in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.42:1 and against black 8.68:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#d5ffd7 · #a8d8ab · #7fb383 · #5c8a60 · #3b653f · #1d4121
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#98d9ca · #88c7a8 · #7fb383 · #809c66 · #7e854f · #786f3e
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#a3ccce · #7fb383 · #67926b · #00777b · #315735 · #0a3a3b
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#d6f4d8 · #bccbbd · #7fb383 · #9e6f9e · #526a54 · #3a493b
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f6eff6 · #7fb383 · #828b82 · #555055 · #1b241b · #020102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f7eff7 · #cfc5cf · #a398a3 · #2a1d2a · #080108 · #7fb383
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d6d7b1 · #7fb383 · #7b9568 · #a7586f · #3b2c49 · #1d0503
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#fcecfb · #7fb383 · #8c80ae · #783c53 · #261740 · #050001
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ecf2ff · #7fb383 · #7588b4 · #7b3d37 · #3e0e0c · #00000a
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e5f5ff · #7fb383 · #5e8fae · #6b3f6c · #371800 · #030004
#91BF94 · #A3CAA5 · #B5D6B6 · #C7E2C8 · #D9EEDA
#659369 · #4C754F · #345837 · #1D3D21 · #07230C
#88B08A · #90AD91 · #97A998
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.