#E1583FTiger Lily (#E1583F) is a mid-tone, saturated red with an OKLCH hue of 32°, lightness 0.64 and chroma 0.176. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #E1583F |
|---|---|
| RGB | rgb(225, 88, 63) |
| HSL | hsl(9, 73%, 56%) |
| HSV | hsv(9, 72%, 88%) |
| CMYK | cmyk(0%, 61%, 72%, 12%) |
| CIE Lab | lab(55.4 52 41.8) |
| OKLCH | oklch(0.636 0.176 32) |
Under warm 2700K interior light Tiger Lily is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.9), so it is a lighting-stable choice.
#e25338 — ΔE 0.9, is virtually unchanged#e5573d — ΔE 0.7, is virtually unchanged#e1583f — ΔE 0.0, is virtually unchanged#e25940 — ΔE 0.3, is virtually unchangedTest Tiger Lily in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.7:1 and against black 5.67:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffd9d1 · #ff9d89 · #e1583f · #bd3e28 · #8e1903 · #580700
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#eb9b47 · #e97b39 · #e1583f · #c64656 · #a83963 · #883069
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#c3a567 · #e1583f · #b3442f · #684c00 · #6a0c00 · #291c00
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00dcfa · #e1583f · #866057 · #783528 · #531a0f · #2b0703
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e0f7fc · #bb9f99 · #e1583f · #647477 · #412621 · #000203
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f8 · #bccdd0 · #8da0a4 · #0d282d · #000508 · #e1583f
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#daf8ff · #00bad5 · #e1583f · #007e91 · #00353e · #080000
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#daf8ff · #00c0ad · #e1583f · #0077b5 · #003731 · #000511
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#d8fde1 · #56bf7a · #e1583f · #5062d5 · #1b1c77 · #000701
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ebf8d1 · #97b446 · #e1583f · #007e91 · #3f086a · #000204
#EC725B · #F58B76 · #FFA390 · #FFBFB1 · #FFD9D0
#BE432D · #9C2E1A · #7C1806 · #5A0800 · #380100
#D16752 · #C07363 · #AE7D72
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.