#70F15EThe Matrix (#70F15E) is a very light, vivid green with an OKLCH hue of 141°, lightness 0.85 and chroma 0.219. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #70F15E |
|---|---|
| RGB | rgb(112, 241, 94) |
| HSL | hsl(113, 84%, 66%) |
| HSV | hsv(113, 61%, 95%) |
| CMYK | cmyk(54%, 0%, 61%, 5%) |
| CIE Lab | lab(85.6 -62.7 58.8) |
| OKLCH | oklch(0.855 0.219 141) |
Under warm 2700K interior light The Matrix shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2), so it is a lighting-stable choice.
#85eb52 — ΔE 2.0, shifts subtly: leans toward yellow#7cf259 — ΔE 1.0, shifts subtly: leans toward yellow#70f15e — ΔE 0.0, is virtually unchanged#6ef260 — ΔE 0.3, is virtually unchangedTest The Matrix in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.46:1 and against black 14.43:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#d7ffd1 · #70f15e · #4abf39 · #279613 · #116c00 · #064500
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#8cffbe · #70f15e · #9ed100 · #b1b000 · #b49400 · #af7900
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#70f15e · #46c5c3 · #40ab31 · #008482 · #106900 · #004645
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#70f15e · #cb57e0 · #557450 · #1c5b13 · #043b00 · #001c00
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#70f15e · #bcadbf · #6f846b · #514753 · #0f240c · #030004
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f7eff8 · #cfc5d0 · #a397a4 · #2a1d2c · #08010a · #70f15e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#70f15e · #c6a5cc · #aa52ba · #770089 · #35003e · #000200
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f2e5ff · #70f15e · #bdaee1 · #d66d9c · #453d59 · #0f0e03
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#70f15e · #9bb4dd · #3c77e3 · #90001e · #420007 · #000012
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#70f15e · #88bbd5 · #0088b7 · #770089 · #351300 · #050008
#86F477 · #9AF78C · #ACFAA1 · #BEFCB4 · #CFFEC7
#51C740 · #319E20 · #137600 · #084F00 · #012B00
#8AEB7D · #A0E496 · #B3DDAC
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.