#BC2026Red Carpet (#BC2026) is a mid-tone, saturated red with an OKLCH hue of 26°, lightness 0.51 and chroma 0.19. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #BC2026 |
|---|---|
| RGB | rgb(188, 32, 38) |
| HSL | hsl(358, 71%, 43%) |
| HSV | hsv(358, 83%, 74%) |
| CMYK | cmyk(0%, 83%, 80%, 26%) |
| CIE Lab | lab(41 59.4 38) |
| OKLCH | oklch(0.514 0.190 26) |
Under warm 2700K interior light Red Carpet is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.6), so it is a lighting-stable choice.
#bc1921 — ΔE 0.6, is virtually unchanged#bf1e24 — ΔE 0.6, is virtually unchanged#bc2026 — ΔE 0.0, is virtually unchanged#bd2127 — ΔE 0.3, is virtually unchangedTest Red Carpet in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 6.23:1 and against black 3.37:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ff9d94 · #e9665f · #bc2026 · #960012 · #5c0006 · #2a0001
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#cb6f10 · #c64c0d · #bc2026 · #a00b40 · #81014d · #610050
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#e8ba72 · #d69500 · #a47d3d · #bc2026 · #8f0b15 · #630008
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00ddf0 · #a77b76 · #bc2026 · #772e2a · #521211 · #2a0303
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#def7fa · #977976 · #bc2026 · #415254 · #321614 · #000304
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e6f5f7 · #bccdcf · #8ea1a4 · #0f2a2d · #000709 · #bc2026
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d4faff · #0093a0 · #bc2026 · #005962 · #00252a · #080000
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d4faff · #00977e · #bc2026 · #005579 · #00271f · #00040c
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#dbfddb · #379844 · #bc2026 · #1c3eb4 · #04036a · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f0f7cc · #7f8b00 · #bc2026 · #005962 · #290057 · #000304
#CE4B46 · #DF6C65 · #EF8C83 · #FDABA3 · #FFCFC9
#A00E19 · #84000E · #670008 · #4B0004 · #310001
#AD3B37 · #9C4B46 · #8B5853
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.