#6FA77APrimavera (#6FA77A) is a mid-tone, soft green with an OKLCH hue of 150°, lightness 0.68 and chroma 0.089. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #6FA77A |
|---|---|
| RGB | rgb(111, 167, 122) |
| HSL | hsl(132, 24%, 55%) |
| HSV | hsv(132, 34%, 65%) |
| CMYK | cmyk(34%, 0%, 27%, 35%) |
| CIE Lab | lab(63.7 -28 17.6) |
| OKLCH | oklch(0.677 0.089 150) |
Under warm 2700K interior light Primavera shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.5), so it is a lighting-stable choice.
#79a371 — ΔE 1.5, shifts subtly: leans toward yellow#76a877 — ΔE 0.9, shifts subtly: leans toward yellow#6fa77a — ΔE 0.0, is virtually unchanged#6ea87c — ΔE 0.3, is virtually unchangedTest Primavera in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.81:1 and against black 7.48:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#d2fed9 · #a6d7ae · #6fa77a · #568a61 · #366440 · #174122
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#8accc0 · #78ba9e · #6fa77a · #71905d · #707a45 · #6a6433
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#96bfc2 · #6fa77a · #588661 · #006a70 · #234c2d · #002f32
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#c7e7cc · #aebfb1 · #6fa77a · #946390 · #465e4a · #2e3e31
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f7eff6 · #6fa77a · #758077 · #4e494d · #172119 · #020002
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f8eef6 · #d0c5ce · #a497a2 · #2b1d29 · #080108 · #6fa77a
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d9ddb8 · #99bc84 · #6fa77a · #8a4c9b · #3b4271 · #0d082d
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#fdecfb · #6fa77a · #8273a1 · #703449 · #24133c · #050001
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#edf2ff · #6fa77a · #6c7ba7 · #73362d · #3a0b07 · #00000a
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e6f4ff · #6fa77a · #5482a2 · #653762 · #321600 · #040004
#83B58C · #98C29F · #ACD0B2 · #C1DEC5 · #D5ECD9
#588A62 · #416E4A · #2B5334 · #16391F · #03220C
#79A481 · #82A187 · #8A9D8D
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.