#F1DAB2Precious (#F1DAB2) is a very light, muted yellow with an OKLCH hue of 81°, lightness 0.9 and chroma 0.058. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #F1DAB2 |
|---|---|
| RGB | rgb(241, 218, 178) |
| HSL | hsl(38, 69%, 82%) |
| HSV | hsv(38, 26%, 95%) |
| CMYK | cmyk(0%, 10%, 26%, 5%) |
| CIE Lab | lab(88 1.9 22.6) |
| OKLCH | oklch(0.897 0.058 81) |
Under warm 2700K interior light Precious shifts subtly: drifts toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#f8d4a5 — ΔE 1.9, shifts subtly: drifts toward orange#f8dbae — ΔE 1.2, shifts subtly: drifts toward orange#f1dab2 — ΔE 0.0, is virtually unchanged#f1dbb5 — ΔE 0.4, is virtually unchangedTest Precious in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.36:1 and against black 15.41:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#fff0d6 · #f1dab2 · #b39f7d · #8b7a5c · #66573d · #42361f
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f1dab2 · #ebc199 · #dbaa90 · #c99589 · #b48283 · #9e717d
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f1dab2 · #b3c3aa · #b29a70 · #6d895b · #745f3a · #3e4c35
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f1dab2 · #c1b9aa · #a5957b · #5b74a0 · #443823 · #251d10
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f1dab2 · #bcc0c7 · #8b867c · #4e5155 · #252017 · #010103
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f1dab2 · #aba08c · #554830 · #392b11 · #150b00 · #f1ba4d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f1dab2 · #b8c1cf · #7287ab · #39507a · #0f203f · #0d0500
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f1dab2 · #b8c1cf · #608da4 · #514977 · #002535 · #010007
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f1dab2 · #b0c5c6 · #599195 · #64426a · #2e1533 · #000203
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f1dab2 · #b2c5be · #609282 · #39507a · #371224 · #000007
#F3DEBB · #F4E3C5 · #F6E7CE · #F8ECD7 · #F9F0E0
#C6B18D · #9C8A6A · #746549 · #4F422A · #2C220E
#EDDBBC · #E9DBC5 · #E4DCCE
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.