#F89882Parma Ham (#F89882) is a light, soft red with an OKLCH hue of 34°, lightness 0.77 and chroma 0.12. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #F89882 |
|---|---|
| RGB | rgb(248, 152, 130) |
| HSL | hsl(11, 89%, 74%) |
| HSV | hsv(11, 48%, 97%) |
| CMYK | cmyk(0%, 39%, 48%, 3%) |
| CIE Lab | lab(72.2 33.7 26.9) |
| OKLCH | oklch(0.773 0.120 34) |
Under warm 2700K interior light Parma Ham shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.4), so it is a lighting-stable choice.
#fb9378 — ΔE 1.4, shifts subtly: leans toward orange#fd987f — ΔE 0.9, is virtually unchanged#f89882 — ΔE 0.0, is virtually unchanged#f99984 — ΔE 0.4, is virtually unchangedTest Parma Ham in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.14:1 and against black 9.8:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffede9 · #ffb4a2 · #f89882 · #b36351 · #884232 · #5e2215
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffd3a7 · #ffb58c · #f89882 · #e08588 · #c4758c · #a6678a
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f89882 · #a7946c · #ac604f · #745700 · #6a291c · #342500
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#efd1c9 · #f89882 · #00a5be · #956459 · #71473d · #4a2e28
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e6f5f9 · #f89882 · #a89490 · #545e61 · #33211d · #000102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f8 · #bccdd1 · #8ea1a6 · #10292f · #00070b · #f89882
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#daf8ff · #f89882 · #45a9bd · #006879 · #002c34 · #080000
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d0dab6 · #f89882 · #67a5cd · #52766e · #313c2f · #170b03
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e0f9e7 · #f89882 · #68ab7e · #48559f · #181d56 · #000601
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#edf6dc · #f89882 · #8da45f · #006879 · #31134d · #000305
#FCA793 · #FFB5A4 · #FFC5B7 · #FFD4CA · #FFE3DC
#CF7966 · #A75C4B · #814032 · #5D261A · #3B0C04
#EB9F8E · #DEA699 · #D0ACA3
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.