#FF4500Orange Red (#FF4500) is a mid-tone, vivid red with an OKLCH hue of 35°, lightness 0.66 and chroma 0.229. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #FF4500 |
|---|---|
| RGB | rgb(255, 69, 0) |
| HSL | hsl(16, 100%, 50%) |
| HSV | hsv(16, 100%, 100%) |
| CMYK | cmyk(0%, 73%, 100%, 0%) |
| CIE Lab | lab(57.6 67.8 69) |
| OKLCH | oklch(0.660 0.229 35) |
Under warm 2700K interior light Orange Red is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.9), so it is a lighting-stable choice.
#ff3e00 — ΔE 0.9, is virtually unchanged#ff4300 — ΔE 0.3, is virtually unchanged#ff4500 — ΔE 0.0, is virtually unchanged#ff4602 — ΔE 0.1, is virtually unchangedAgainst white it measures 3.44:1 and against black 6.1:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffe5dd · #ffaa94 · #ff4500 · #d13600 · #962400 · #601200
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#fe9e00 · #fc7b00 · #ff4500 · #e32f49 · #c22463 · #9f1f70
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d0ac54 · #ff4500 · #cd3500 · #6e5400 · #711800 · #2f2200
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00dbff · #ff4500 · #956356 · #8a321b · #631500 · #370600
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#dcf8ff · #ff4500 · #906e65 · #384b50 · #32120a · #000305
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f8 · #bdcdd1 · #8ea1a6 · #10292f · #00070b · #ff4500
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dcf8ff · #ff4500 · #00869d · #005160 · #002229 · #260100
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#b3ddcb · #72b8b2 · #ff4500 · #416a89 · #344164 · #1f050e
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#d1ffe0 · #ff4500 · #008f52 · #341abf · #14005f · #000601
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e7fbc9 · #ff4500 · #638500 · #005160 · #2b0049 · #000305
#FF6F4A · #FF8E71 · #FFAA93 · #FFC3B3 · #FFDBD1
#D33700 · #A92900 · #801D00 · #5A1000 · #370500
#EB5F3C · #D67258 · #BF806F
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.