#A4B88FNorway (#A4B88F) is a light, muted yellow-green with an OKLCH hue of 129°, lightness 0.76 and chroma 0.061. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #A4B88F |
|---|---|
| RGB | rgb(164, 184, 143) |
| HSL | hsl(89, 22%, 64%) |
| HSV | hsv(89, 22%, 72%) |
| CMYK | cmyk(11%, 0%, 22%, 28%) |
| CIE Lab | lab(72.3 -14.3 18.6) |
| OKLCH | oklch(0.756 0.061 129) |
Under warm 2700K interior light Norway shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.7), so it is a lighting-stable choice.
#acb385 — ΔE 1.7, shifts subtly: leans toward yellow#abb98b — ΔE 1.1, shifts subtly: leans toward yellow#a4b88f — ΔE 0.0, is virtually unchanged#a4b991 — ΔE 0.3, is virtually unchangedTest Norway in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.14:1 and against black 9.83:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#e7f9d6 · #bed1aa · #a4b88f · #738360 · #505f40 · #303d22
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#b5e3ca · #a9cfa9 · #a4b88f · #9da270 · #968c5e · #8b7651
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#a4b88f · #799992 · #687b53 · #166459 · #32421f · #062a24
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ced6c7 · #a4b88f · #8b71a0 · #48533b · #2c3621 · #141a0d
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f4f0f7 · #a4b88f · #91968c · #5a585d · #22261d · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#edf5e5 · #a4b88f · #3e4a31 · #222e13 · #040b00 · #a8d66f
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dad3ae · #a4b88f · #a5668d · #496850 · #353254 · #220609
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f6eefe · #a4b88f · #8c91b9 · #754867 · #1e2043 · #040002
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e8f3ff · #a4b88f · #7898b8 · #7d4750 · #3d151e · #00020b
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e2f6fc · #a4b88f · #699dad · #654d79 · #3e180b · #020005
#B1C29E · #BDCDAD · #CAD7BD · #D7E2CC · #E4EDDC
#859772 · #677757 · #4B593D · #313C24 · #18210D
#A7B696 · #A9B59D · #ACB3A4
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.