#E4F3E0Mojito (#E4F3E0) is a near-white neutral with an OKLCH hue of 139°, lightness 0.95 and chroma 0.03. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #E4F3E0 |
|---|---|
| RGB | rgb(228, 243, 224) |
| HSL | hsl(107, 44%, 92%) |
| HSV | hsv(107, 8%, 95%) |
| CMYK | cmyk(6%, 0%, 8%, 5%) |
| CIE Lab | lab(94.3 -8.3 7.5) |
| OKLCH | oklch(0.948 0.030 139) |
Under warm 2700K interior light Mojito shifts subtly: takes on a yellow cast; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.2), so it is a lighting-stable choice.
#eeedd1 — ΔE 2.2, shifts subtly: takes on a yellow cast#ecf4db — ΔE 1.3, shifts subtly: takes on a yellow-green cast#e4f3e0 — ΔE 0.0, is virtually unchanged#e4f4e3 — ΔE 0.4, is virtually unchangedTest Mojito in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.15:1 and against black 18.2:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#e4f3e0 · #c0cebd · #9aa697 · #768073 · #535c51 · #333b31
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#e4f3e0 · #d1e2ae · #cbca97 · #c3b384 · #b89c76 · #aa866b
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#e4f3e0 · #93b5b3 · #7b9873 · #327f7b · #435d3c · #1d413f
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#e4f3e0 · #c3cec0 · #a17faa · #5a6b55 · #3d4c39 · #242e22
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e4f3e0 · #d3ced5 · #8d948b · #5a565b · #1f261e · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e4f3e0 · #c5cbc3 · #989f96 · #1e271c · #020601 · #95d983
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#e4f3e0 · #c5cbc3 · #989f96 · #1e271c · #020601 · #f4b94d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e4f3e0 · #d7ccda · #a286a9 · #6a4a72 · #311837 · #000200
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e4f3e0 · #d7ccda · #908cb5 · #77465e · #231d40 · #040001
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e4f3e0 · #c8d1df · #7c93b7 · #7c4647 · #3d1517 · #000007
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e4f3e0 · #c2d3dc · #6b99af · #6a4a72 · #3c1903 · #030004
#E6F4E3 · #E9F4E6 · #EBF5E9 · #EEF5EB · #F0F6EE
#B9C6B5 · #8F9B8C · #687265 · #434B41 · #21281F
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.