#3CBCFCMegaman (#3CBCFC) is a light, saturated sky blue with an OKLCH hue of 235°, lightness 0.75 and chroma 0.142. It sits on the cool side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #3CBCFC |
|---|---|
| RGB | rgb(60, 188, 252) |
| HSL | hsl(200, 97%, 61%) |
| HSV | hsv(200, 76%, 99%) |
| CMYK | cmyk(76%, 25%, 0%, 1%) |
| CIE Lab | lab(72.2 -13.7 -41.4) |
| OKLCH | oklch(0.754 0.142 235) |
Under warm 2700K interior light Megaman shifts subtly: loses intensity; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.5), so it is a lighting-stable choice.
#58b8ed — ΔE 2.5, shifts subtly: loses intensity#4cbdf7 — ΔE 1.2, shifts only faintly, with no single dominant change#3cbcfc — ΔE 0.0, is virtually unchanged#39bdff — ΔE 0.5, is virtually unchangedTest Megaman in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.14:1 and against black 9.79:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#e4f5ff · #8ad4ff · #3cbcfc · #0087bc · #006189 · #003d58
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#70ebf6 · #4cd5fa · #3cbcfc · #5aa1eb · #6a87d4 · #706fb7
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#3cbcfc · #8d8aba · #007cae · #54449f · #00415e · #221a45
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#b8d7eb · #3cbcfc · #cd7327 · #3b7494 · #21546f · #153547
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#fdefe5 · #3cbcfc · #8397a3 · #605751 · #132733 · #040100
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#fbefe8 · #d6c9c1 · #ae9f96 · #3d2c20 · #1a0a02 · #3cbcfc
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d9dcb6 · #3cbcfc · #cf5b22 · #575e9d · #4a2e36 · #040932
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d3d5b0 · #3cbcfc · #8c7b5c · #9f4845 · #46302d · #051416
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffecf2 · #3cbcfc · #ca7596 · #575f00 · #232700 · #0d0003
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffeaff · #3cbcfc · #b77ab9 · #884400 · #002e06 · #1a0600
#60C7FF · #81D1FF · #9EDBFF · #B9E4FF · #D2EEFF
#1E9AD3 · #007AAB · #005A80 · #003C58 · #002133
#61BAEC · #7BB8DC · #90B5CC
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.