#D91E3FLollipop (#D91E3F) is a mid-tone, vivid red with an OKLCH hue of 20°, lightness 0.57 and chroma 0.215. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #D91E3F |
|---|---|
| RGB | rgb(217, 30, 63) |
| HSL | hsl(349, 76%, 48%) |
| HSV | hsv(349, 86%, 85%) |
| CMYK | cmyk(0%, 86%, 71%, 15%) |
| CIE Lab | lab(47 68.7 31.7) |
| OKLCH | oklch(0.570 0.215 20) |
Under warm 2700K interior light Lollipop is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.8), so it is a lighting-stable choice.
#d91439 — ΔE 0.8, is virtually unchanged#dc1b3d — ΔE 0.6, is virtually unchanged#d91e3f — ΔE 0.0, is virtually unchanged#da1f40 — ΔE 0.3, is virtually unchangedTest Lollipop in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 4.99:1 and against black 4.21:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffb9b8 · #ff747a · #d91e3f · #b0002c · #75001a · #3f0009
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ea781f · #e55128 · #d91e3f · #b90e59 · #960a67 · #730b6c
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f4a000 · #be8a44 · #d91e3f · #a90d2d · #7c001c · #382100
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00dfe7 · #bd8988 · #d91e3f · #8e373c · #671c22 · #3c0b10
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#dcf8fa · #ab8887 · #d91e3f · #4e6263 · #3c1b1c · #000202
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e6f5f6 · #bccdce · #8da1a2 · #0c282a · #000607 · #d91e3f
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#cbfdff · #00a6ad · #d91e3f · #006b70 · #002d2f · #160001
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#c1ddc0 · #71b4c8 · #d91e3f · #426f5a · #293653 · #1d0511
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#dcfdd4 · #51aa3a · #d91e3f · #0054c8 · #00215c · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f4f6c4 · #999900 · #d91e3f · #006b70 · #2c006a · #000203
#E74D5A · #F46F75 · #FF8F90 · #FFB2B1 · #FFD3D2
#B9012F · #950024 · #730019 · #52000F · #340006
#C7424D · #B55659 · #A06464
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.